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Fridays As In Murder: Women, Violence & Genre Formulas

Brooklyn Commons 388 Atlantic Avenue, Brooklyn

Drawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.

Fridays As In Murder: Women, Violence & Genre Formulas

Brooklyn Commons 388 Atlantic Avenue, Brooklyn

Drawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.

$95 – $125
Event Series Marx, Capital and the Madness of Economic Reason

Marx, Capital and the Madness of Economic Reason

From the book: “...a potential tendency for capital in searching to maximise its monetary profit to be drawn to invest in areas that produce no value or surplus value at all. Taken to extremes, either of these tendencies could be fatal to the reproduction of capital. In combination, and the contemporary evidence is that both trends are discernible, they could be catastrophic” (Marx, Capital, and the Madness of Economic Reason, David Harvey, Oxford University Press, p.105).

$30 – $60

Architecture of Doom

Jefferson Market Library 425 6th Avenue, New York, NY

Free Film showing of Architecture of Doom at the Jefferson Market Library in Greenwich Village Architecture of Doom 119 minutes, color and b/w, 1991 MEP in Libraries Jefferson Market Library ... Read more

Event Series Degenerate!: Art and the State

Degenerate!: Art and the State

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

$75 – $95
Event Series Revolution in China: 1911-1949

Revolution in China: 1911-1949

Of 20th-century revolutions, the upheaval in China that culminated in the declaration in 1949 of the People’s Republic was arguably just as significant as the Russian Revolution of 1917. Beginning this January, the Revolutions Reading Group undertakes an in-depth study of that 40-year struggle, from the overthrow of the monarchy in 1911 to the victory of the Communist Party after World War II.

$85 – $115
Event Series Climate Crisis, Climate Justice, Climate Fiction

Climate Crisis, Climate Justice, Climate Fiction

This study group will examine the dire situations ordinary people confront as climate change and related crises accelerate, and the struggles for climate and environmental justice that are arising to meet these challenges. We will look at such cases as Puerto Rico (Irma-Maria), New York (Sandy), and the Mideast (drought, wars, refugees), through lenses provided by Ashley Dawson, Christian Parenti, and others.

$85 – $115

Fridays As In Murder: Women, Violence & Genre Formulas

Brooklyn Commons 388 Atlantic Avenue, Brooklyn

Drawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.

Event Series Marx, Capital and the Madness of Economic Reason

Marx, Capital and the Madness of Economic Reason

From the book: “...a potential tendency for capital in searching to maximise its monetary profit to be drawn to invest in areas that produce no value or surplus value at all. Taken to extremes, either of these tendencies could be fatal to the reproduction of capital. In combination, and the contemporary evidence is that both trends are discernible, they could be catastrophic” (Marx, Capital, and the Madness of Economic Reason, David Harvey, Oxford University Press, p.105).

$30 – $60
Event Series Degenerate!: Art and the State

Degenerate!: Art and the State

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

$75 – $95