“If a truth is never communicable as such, it nevertheless implies, at a distance from itself, powerful reshapings of the forms and referents of communication.”
(L’ethique: Essai sur la conscience du Mal (1993), Alain Badiou)
The Politics of the Unconscious and a Surrealist Brunch Marija Krtolica
“If a truth is never communicable as such, it nevertheless implies, at a distance from itself, powerful reshapings of the forms and referents of communication.” (L’ethique: Essai sur la conscience du Mal (1993), Alain Badiou)
Over brunch, the political meanings of Dadaist and Surrealist art, film and poetry will be discussed along with the grotesque dances by Valeska Gert (Weimar Era), and dance-theater of Pina Bausch and Mats Ek (1970s-80s). We will explore how the aesthetic de-hierarchicalization and commodity culture inform our practices as witnesses and art makers. We will investigate ways of synthesizing the critical writings on capitalism and schizophrenia (Gilles Deleuze, 1972) and the politics of aesthetics (Jacques Rancière, 2004). There may even be a performance event.
Marija Krtolica (b. 1973, Belgrade) is an international movement artist, dance researcher and teacher (BFA NYU, MFA UC Davis, MA NYU, completing PhD in dance at Temple University in Philadelphia). Her current research focuses on the meanings and symptoms of hysteria in the nineteenth century, and critical re-investigation of hysterical scenes in Tanztheater. Recently, she presented papers at CUNY at Graudate Center conference Approaching Dance, NCSA Caucus in Charleston, the Department of Visual Arts conference at UCSD (2015), ACLA 2015 in Seattle, a Graduate Conference of the Department of English at the University of Chicago (2014), and Choreography Symposium at the University of Cologne (2014), At the artistic residence in Spread Art in Detroit (2015), the University of Arts Belgrade (2015), and at the Le Couvent artistic residence in Auzits, France (2016). Marija has worked with the lecture/performance mode of examining elusive boundaries between practice and theory. Marija has published papers in The International Journal of the Arts in Society (2009 and 2011), and The Journal of Arts Theory and History (2013). She has written articles and conducted interviews for the Belgrade dance publication Orchestra.