A Spring Fever of World Literature

A Spring Fever of World Literature

“The progression from a critical reading of literature to an expansive conception of politics proved not only increasingly persuasive intellectually, but also compelling.” – Stuart Hall, Familiar Stranger

Looking at the last century through the lens of literature (and what it tell us about the present moment and those moments that are soon to come).

G. by John Berger (UK)
The Last Days of New Paris by China Miéville (UK)
The God of Small Things by Arundhati Roy (India)
GraceLand by Chris Abani (Nigeria)

“Only in fiction can we share another person’s specific experiences. Outside fiction we have to generalize.” — John Berger, The Success and Failure of Picasso

“…when I write my novels, I’m not writing them to make political points. I’m writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I’m creating is embedded with many of the concerns that I have. […] I’m trying to say I’ve invented this world that I think is really cool and I have these really big stories to tell in it and one of the ways that I find to make that interesting is to think about it politically. If you want to do that too, that’s fantastic. But if not, isn’t this a cool monster?” — China Miéville

“It didn’t matter that the story had begun, because Kathakali discovered long ago that the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings.”— Arundhati Roy, The God of Small Things

G.
Berger sets the story of G. against the turbulent backdrop of Garibaldi and the failed revolution of Milanese workers in 1898, the Boer War, and the first flight across the Alps, making G. a brilliant novel about the search for intimacy in history’s private moments.

Giovanni – G – the product of an Italian merchant’s adulterous fling is sent to cousins on a farm in England, where a piano-playing governess awakens the lust that proves the keynote in a series of fragmented episodes set during the years before the first world war – a prospect G relishes on account of all the women it will widow.

The Last Days of New Paris
China Miéville
1941. In the chaos of wartime Marseille, American engineer—and occult disciple—Jack Parsons stumbles onto a clandestine anti-Nazi group, including Surrealist theorist André Breton. In the strange games of the dissident diplomats, exiled revolutionaries, and avant-garde artists, Parsons finds and channels hope. But what he unwittingly unleashes is the power of dreams and nightmares, changing the war and the world forever.

“So there I am, wondering what to do, and I see you, and I see what you’re carrying. And that is why I came running after you. Because I do not believe in coincidence.” 

1950. A lone Surrealist fighter, Thibaut, walks a new, hallucinogenic Paris, where Nazis and the Resistance are trapped in unending conflict, and the streets are stalked by living images and texts—and by the forces of Hell. To escape the city, he must join forces with Sam, an American photographer intent on recording the ruins, and make common cause with a powerful, enigmatic figure of chance and rebellion: the exquisite corpse.

The God of Small Things
Arundathi Roy
“It didn’t matter that the story had begun, because Kathakali discovered long ago that the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings.”

In addition to commentary on Indian history and politics, Roy evaluates the Indian post-colonial complex, or the cultural attitudes of many Indians toward their former British rulers. After Ammu calls her father a “[shit]-wiper” in Hindi for his blind devotion to the British, Chacko explains to the twins Rahel and Estha, that they come from a family of Anglophiles, or lovers of British culture, “trapped outside their own history and unable to retrace their steps.” He goes on to say that they despise themselves because of this. Nearly all of the relationships in the novel are somehow colored by cultural and class tension.

GraceLand
Chris Abani
GraceLand is a 2004 novel by Chris Abani, which tells the story of a teenager named Elvis, who is trying to get out of the ghettos of Lagos, Nigeria. Chris Abani depicts the poverty and violence in Lagos and how it affects the everyday lives of Elvis and his family. Having emigrated from Nigeria himself as a result of the Biafran War, Abani’s novel touches on many issues relevant to corruption, poverty, and violence within the country. Elvis’s story also touches on issues related to globalization, and how Nigeria’s impoverished communities are affected by this phenomenon. The main focus of this story is on Elvis and how he survives in the often harsh environment that is Nigeria’s largest city; Elvis himself is a complex and sympathetic character who clearly cares for his family despite a turbulent upbringing. However, this is complicated by the numerous illegal and morally questionable jobs he takes part in with his friend Redemption.

 “The rain had cleared the oppressive heat that had already dropped like a blanket over Lagos; but the smell of garbage from refuse dumps, unflushed toilets and stale bodies was still overwhelming. Elvis turned from the window, dropping the threadbare curtain. Today was his sixteenth birthday, and as with all the others, it would pass uncelebrated. It had been that way since his mother died eight years before. He used to think that celebrating his birthday was too painful for his father, a constant reminder of his loss. But Elvis had since come to the conclusion that his father was simply self-centered. The least I should do is get some more sleep, he thought, sitting on the bed. But the sun stabbed through the thin fabric, bathing the room in sterile light. The radio played Bob Marley….”

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May Made Me

An oral history of the 1968 uprising in France
With author Mitch Abidor
at New Perspectives Studio
456-458 West 37th Street (near 10th Avenue)/Manhattan

The mass protests that shook France in May 1968 were exciting, dangerous, creative and influential, changing European politics to this day. Students demonstrated, workers went on general strike, factories and universities were occupied. At the height of its momentum, the protests brought the entire national economy to a halt. The protests reached such a point that the French and international bourgeoisie feared civil war or revolution.

Fifty years later, here are the eye-opening oral testimonies of those young rebels. By listening to the voices of students and workers, as opposed to those of their leaders, May ’68 appears not just as a mass event, but rather as an event driven by millions of individuals, creating a mosaic human portrait of France at the time.

Published on the 50th anniversary of those days in the spring of 68, May Made Me presents the legacy of the uprising: how those explosive experiences changed the individuals who participated and their lives as lived since then.

Mitch Abidor is a translator from Brooklyn whose many translations include A Socialist History of the French Revolution by Jean Jaurès and Anarchists Never Surrender and other works by Victor Serge.

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60s New Left: National and International

A New Left Begins
2nd sessions
Beginning Tuesday, May 2 — sessions continue through July
with Mitch Abidor, Jenny Brown, Michael Pelias and others

May 2, a reading and discussion of Marat/Sade. Watch the film if you have the opportunity
May 9 and 16, RD Laing, counter-psychiatric / anti-psychiatry. The Politics of Experience and more. Presentations and discussion with Michael Pelias on May 9 and May 16.
May 23 and 30. Paris. May, 1968. These talks will investigate the events May 68 in France through an analysis of the writings of Daniel Cohn-Bendit, one of the most important and interesting of its leaders, as well as the experiences of rank and file militants interviewed by Mitch Abidor for his forthcoming oral history, May Made Me.
Mitchell Abidor is the principal French translator for the Marxists Internet Archive and has published several collections of his translations, among them Jean Jaurès’ Socialist History of the French Revolution and A Raskolnikoff by Emmanuel Bove, and previously untranslated works by Victor Serge and Daniel Guerin, as well as writings from the French Revolution, are forthcoming. His May Made Me will appear in time for the fiftieth anniversary of the May events in France.
June 6 and 13. The music didn’t die. A look at the many cultural influences of the first generation born with the bomb and mutually assured destruction from day one. An overview and music and a reading and discussion of Jeff Nuttal’s Bomb Culture.
The growth of Women’s liberation and the experience of the growth of this mass movement in the 1960s and what this meant for the new left. Jenny Brown from National Women’s Liberation will select and help focus these our discussion at dates to be determined.
Jenny Brown is an organizer with National Women’s Liberation and has been involved in feminist theory and organizing since 1988, first with Gainesville Women’s Liberation in Gainesville, Florida and then with the Redstockings Women’s Liberation Archives for Action, a movement think-tank and archive based in New York. She co-authored the Redstockings book, Women’s Liberation and National Healthcare: Confronting the Myth of America and the Labor Notes book How to Jump Start Your Union: Lessons from the Chicago Teachers along with numerous essays and articles. She was also a co-chair of a Labor Party Local Organizing Committee in Gainesville, Florida and is a former editor of Labor Notes.

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