Punk Crisis

Ray Patton argues that punk eroded the boundaries and political categories that defined the Cold War Era, replacing them with a new framework based on identity as conservative or progressive. Through this paradigm shift, punk unwittingly ushered in a new era of global neoliberalism.

Architecture of Doom

Free Film showing of Architecture of Doom at the Jefferson Market Library in Greenwich Village Architecture of Doom 119 minutes, color and b/w, 1991 MEP in Libraries Jefferson Market Library … Read more

Degenerate!: Art and the State

…we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

Degenerate!: Art and the State

…we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

Degenerate!: Art and the State

…we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

Degenerate!: Art and the State

…we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

Degenerate!: Art and the State

…we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

Degenerate!: Art and the State

…we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

Degenerate!: Art and the State

…we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

Degenerate!: Art and the State

…we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.