Dread Poetry and Freedom

Dread Poetry and Freedom:
Linton Kwesi Johnson and the Unfinished Revolution

David Austin
with an introduction by Lewis Gordon

What is the relationship between poetry and social change?

Standing at the forefront of political poetry since the 1970s, Linton Kwesi Johnson has been fighting neo-fascism, police violence and promoting socialism while putting pen to paper to refute W.H. Auden’s claim that ‘poetry makes nothing happen’. For Johnson, only the second living poet to have been published in the Penguin Modern Classics series, writing has always been ‘a political act’ and poetry ‘a cultural weapon’.

In Dread Poetry and Freedom — the first book dedicated to the work of this ‘political poet par excellence’ – David Austin explores the themes of poetry, political consciousness and social transformation through the prism of Johnson’s work. Drawing from the Bible, reggae and Rastafari, and surrealism, socialism and feminism, and in dialogue with Aime Cesaire and Frantz Fanon, C.L.R. James and Walter Rodney, and W.E.B. Du Bois and the poetry of d’bi young anitafrika, Johnson’s work becomes a crucial point of reflection on the meaning of freedom in this masterful and rich study.

In the process, Austin demonstrates why art, and particularly poetry, is a vital part of our efforts to achieve genuine social change in times of dread.

David Austin is the author of the Casa de las Americas Prize-winning Fear of a Black Nation: Race, Sex, and Security in Sixties Montreal, Moving Against the System: The 1968 Congress of Black Writers and the Making of Global Consciousness, and Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution. He is also the editor of You Don’t Play with Revolution: The Montreal Lectures of C.L.R. James.

Lewis Gordon teaches in the United States and in South Africa, where he is the Nelson Mandela Visiting Professor of Politics and International Studies, and in Toulouse, France, where he holds the European Union Visiting Chair in philosophy. His recent book What Fanon Said has become a primary source on understanding the work of Fanon. He is known not only for his writings on Frantz Fanon, W.E.B. Du Bois, Frederick Douglass, Anna Julia Cooper, Steve Bantu Biko, and many others, but also his work in philosophy, politics, and varieties of thought in the global south.

Tickets are sliding scale / No one turned away for inability to pay

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Black Marxism

Black Marxism: The Making of The Black Radical Tradition
Nicholas Power

Eight more sessions beginning October 18 through December 6, 7:30-9:30 pm

As always, capitalism has crises. Again, a new generation turns toward Marxism. How do we apply this wide ranging and controversial revolutionary tradition to our current times? Writer and professor, Cedric Robinson╒s magnum opus, Black Marxism will be our lodestar for this class. We will discuss Robinson’s critique of Marx’s Eurocentric frame of reference and explore how and if Marxism has value for today’s multi-cultural left which at times turns much to anarchism, whether conscious or not of the Marxist tradition. We will also cover the Marxist legacy of C.L.R. James, Langston Hughes and Richard Wright on their own and as Robinson studied their relationships to Marxism.

Nicholas Power is a poet, journalist and Associate Professor of Literature at SUNY Old Westbury. His second book The Ground Below Zero: 911 to Burning Man, New Orleans to Darfur, Haiti to Occupy Wall Street was published by Upset Press in 2013. His writings have appeared in The Indypendent, The Village Voice, Truth-Out and Alternet.

Admissions are sliding scale. We do not turn anyone away if all they can pay is less or are without the ability to pay. $10 per session.

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