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SUMMARY:Summertime … and the Living Ain't Easy: Black Noir
DESCRIPTION:The Marxist Education Project’s Literature Group continues its summertime tradition of reading noir fiction: the popular American crime genre that explores the corruption of society – and\, in our selected books by Black writers – corruption in the workplace\, in unions\, and among workers. “Mystery fiction written by Black authors is\, not surprisingly\, often very different from work in that broadly defined genre written by white writers.” –Black Noir \nWe will read these four books:\nIf He Hollers\, Let Him Go by Chester Himes\nA Red Death by Walter Mosley\nBlack Water Rising by Attica Locke\nThe Man Who Changed Colors by Bill Fletcher Jr. \nFull book descriptions and a reading schedule are available here. \nConvened by Jacqueline Cantwell\, who became involved with the MEP’s Literature Group because of her love of Victor Serge’s novels. Participating in an MEP reading group led by Serge translator Richard Greeman seven years ago\, Jacqueline found a community of readers eager to be challenged by the ambitions of international writers devoted to the creative potential of political fiction. Since the death of Michael Lardner\, who hosted and organized the Literature Group for so many years\, she has taken the lead in furthering the group’s goals of exploring international fiction and encouraging thoughtful conversation.
URL:https://marxedproject.org/event/black-noir/2023-07-27/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:African American History,Alienation,American Literature,Anti-capitalist Literature,Art and politics,Capital vs. Labor,Class,Classes/Events,Cultural Resistance,Literary Studies,Literature,Media Criticism,Modernity,Multi-session Classes,Noir Fiction,Race and Class,Radical Literature
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2023/06/crimescene16x9.png
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230720T190000
DTEND;TZID=America/New_York:20230720T203000
DTSTAMP:20260616T234055
CREATED:20230615T135643Z
LAST-MODIFIED:20230626T160923Z
UID:10007321-1689879600-1689885000@marxedproject.org
SUMMARY:Summertime … and the Living Ain't Easy: Black Noir
DESCRIPTION:The Marxist Education Project’s Literature Group continues its summertime tradition of reading noir fiction: the popular American crime genre that explores the corruption of society – and\, in our selected books by Black writers – corruption in the workplace\, in unions\, and among workers. “Mystery fiction written by Black authors is\, not surprisingly\, often very different from work in that broadly defined genre written by white writers.” –Black Noir \nWe will read these four books:\nIf He Hollers\, Let Him Go by Chester Himes\nA Red Death by Walter Mosley\nBlack Water Rising by Attica Locke\nThe Man Who Changed Colors by Bill Fletcher Jr. \nFull book descriptions and a reading schedule are available here. \nConvened by Jacqueline Cantwell\, who became involved with the MEP’s Literature Group because of her love of Victor Serge’s novels. Participating in an MEP reading group led by Serge translator Richard Greeman seven years ago\, Jacqueline found a community of readers eager to be challenged by the ambitions of international writers devoted to the creative potential of political fiction. Since the death of Michael Lardner\, who hosted and organized the Literature Group for so many years\, she has taken the lead in furthering the group’s goals of exploring international fiction and encouraging thoughtful conversation.
URL:https://marxedproject.org/event/black-noir/2023-07-20/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:African American History,Alienation,American Literature,Anti-capitalist Literature,Art and politics,Capital vs. Labor,Class,Classes/Events,Cultural Resistance,Literary Studies,Literature,Media Criticism,Modernity,Multi-session Classes,Noir Fiction,Race and Class,Radical Literature
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2023/06/crimescene16x9.png
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230713T190000
DTEND;TZID=America/New_York:20230713T203000
DTSTAMP:20260616T234055
CREATED:20230615T135643Z
LAST-MODIFIED:20230626T160923Z
UID:10007320-1689274800-1689280200@marxedproject.org
SUMMARY:Summertime … and the Living Ain't Easy: Black Noir
DESCRIPTION:The Marxist Education Project’s Literature Group continues its summertime tradition of reading noir fiction: the popular American crime genre that explores the corruption of society – and\, in our selected books by Black writers – corruption in the workplace\, in unions\, and among workers. “Mystery fiction written by Black authors is\, not surprisingly\, often very different from work in that broadly defined genre written by white writers.” –Black Noir \nWe will read these four books:\nIf He Hollers\, Let Him Go by Chester Himes\nA Red Death by Walter Mosley\nBlack Water Rising by Attica Locke\nThe Man Who Changed Colors by Bill Fletcher Jr. \nFull book descriptions and a reading schedule are available here. \nConvened by Jacqueline Cantwell\, who became involved with the MEP’s Literature Group because of her love of Victor Serge’s novels. Participating in an MEP reading group led by Serge translator Richard Greeman seven years ago\, Jacqueline found a community of readers eager to be challenged by the ambitions of international writers devoted to the creative potential of political fiction. Since the death of Michael Lardner\, who hosted and organized the Literature Group for so many years\, she has taken the lead in furthering the group’s goals of exploring international fiction and encouraging thoughtful conversation.
URL:https://marxedproject.org/event/black-noir/2023-07-13/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:African American History,Alienation,American Literature,Anti-capitalist Literature,Art and politics,Capital vs. Labor,Class,Classes/Events,Cultural Resistance,Literary Studies,Literature,Media Criticism,Modernity,Multi-session Classes,Noir Fiction,Race and Class,Radical Literature
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2023/06/crimescene16x9.png
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230706T190000
DTEND;TZID=America/New_York:20230706T203000
DTSTAMP:20260616T234055
CREATED:20230615T135643Z
LAST-MODIFIED:20230626T160923Z
UID:10007319-1688670000-1688675400@marxedproject.org
SUMMARY:Summertime … and the Living Ain't Easy: Black Noir
DESCRIPTION:The Marxist Education Project’s Literature Group continues its summertime tradition of reading noir fiction: the popular American crime genre that explores the corruption of society – and\, in our selected books by Black writers – corruption in the workplace\, in unions\, and among workers. “Mystery fiction written by Black authors is\, not surprisingly\, often very different from work in that broadly defined genre written by white writers.” –Black Noir \nWe will read these four books:\nIf He Hollers\, Let Him Go by Chester Himes\nA Red Death by Walter Mosley\nBlack Water Rising by Attica Locke\nThe Man Who Changed Colors by Bill Fletcher Jr. \nFull book descriptions and a reading schedule are available here. \nConvened by Jacqueline Cantwell\, who became involved with the MEP’s Literature Group because of her love of Victor Serge’s novels. Participating in an MEP reading group led by Serge translator Richard Greeman seven years ago\, Jacqueline found a community of readers eager to be challenged by the ambitions of international writers devoted to the creative potential of political fiction. Since the death of Michael Lardner\, who hosted and organized the Literature Group for so many years\, she has taken the lead in furthering the group’s goals of exploring international fiction and encouraging thoughtful conversation.
URL:https://marxedproject.org/event/black-noir/2023-07-06/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:African American History,Alienation,American Literature,Anti-capitalist Literature,Art and politics,Capital vs. Labor,Class,Classes/Events,Cultural Resistance,Literary Studies,Literature,Media Criticism,Modernity,Multi-session Classes,Noir Fiction,Race and Class,Radical Literature
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2023/06/crimescene16x9.png
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230629T190000
DTEND;TZID=America/New_York:20230629T203000
DTSTAMP:20260616T234055
CREATED:20230615T135643Z
LAST-MODIFIED:20230626T160923Z
UID:10007318-1688065200-1688070600@marxedproject.org
SUMMARY:Summertime … and the Living Ain't Easy: Black Noir
DESCRIPTION:The Marxist Education Project’s Literature Group continues its summertime tradition of reading noir fiction: the popular American crime genre that explores the corruption of society – and\, in our selected books by Black writers – corruption in the workplace\, in unions\, and among workers. “Mystery fiction written by Black authors is\, not surprisingly\, often very different from work in that broadly defined genre written by white writers.” –Black Noir \nWe will read these four books:\nIf He Hollers\, Let Him Go by Chester Himes\nA Red Death by Walter Mosley\nBlack Water Rising by Attica Locke\nThe Man Who Changed Colors by Bill Fletcher Jr. \nFull book descriptions and a reading schedule are available here. \nConvened by Jacqueline Cantwell\, who became involved with the MEP’s Literature Group because of her love of Victor Serge’s novels. Participating in an MEP reading group led by Serge translator Richard Greeman seven years ago\, Jacqueline found a community of readers eager to be challenged by the ambitions of international writers devoted to the creative potential of political fiction. Since the death of Michael Lardner\, who hosted and organized the Literature Group for so many years\, she has taken the lead in furthering the group’s goals of exploring international fiction and encouraging thoughtful conversation.
URL:https://marxedproject.org/event/black-noir/2023-06-29/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:African American History,Alienation,American Literature,Anti-capitalist Literature,Art and politics,Capital vs. Labor,Class,Classes/Events,Cultural Resistance,Literary Studies,Literature,Media Criticism,Modernity,Multi-session Classes,Noir Fiction,Race and Class,Radical Literature
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2023/06/crimescene16x9.png
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221215T190000
DTEND;TZID=America/Halifax:20221215T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007167-1671130800-1671138000@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-12-15/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221208T190000
DTEND;TZID=America/Halifax:20221208T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007166-1670526000-1670533200@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-12-08/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221201T190000
DTEND;TZID=America/Halifax:20221201T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007165-1669921200-1669928400@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-12-01/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221124T190000
DTEND;TZID=America/Halifax:20221124T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007164-1669316400-1669323600@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-11-24/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221117T190000
DTEND;TZID=America/Halifax:20221117T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007163-1668711600-1668718800@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-11-17/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221110T190000
DTEND;TZID=America/Halifax:20221110T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007162-1668106800-1668114000@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-11-10/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221103T190000
DTEND;TZID=America/Halifax:20221103T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007161-1667502000-1667509200@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-11-03/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221027T190000
DTEND;TZID=America/Halifax:20221027T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007160-1666897200-1666904400@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-10-27/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221020T190000
DTEND;TZID=America/Halifax:20221020T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007159-1666292400-1666299600@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-10-20/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20221013T190000
DTEND;TZID=America/Halifax:20221013T210000
DTSTAMP:20260616T234055
CREATED:20220830T013323Z
LAST-MODIFIED:20221110T160017Z
UID:10007158-1665687600-1665694800@marxedproject.org
SUMMARY:The Novels of Nanni Balestrini with the MEP Literature Group
DESCRIPTION:The MEP Literature Group resumes this fall/winter and continues its tradition of reading international political fiction. We will read several works by the Italian author Nanni Balestrini\, including We Want Everything and The Unseen. These selections are in honor of Michael Lardner\, an enthusiast of Balestrini’s writing and the convener of the MEP’s literature group for many years. Balestrini\, born in 1935\, had by the early 1960s an active literary career in Gruppo 63\, edited journals\, and participated in computer experiments. From literary spats\, he moved to political involvement during Italy’s Years of Lead (ca. 1968-1988). Upon being charged with membership in a guerrilla group he fled to Paris and later to Germany. We Want Everything chronicles a rebellion centered at the Fiat Mirafiori factory in Turin; The Unseen continues the story of Italy’s explosive 1970s when the young and unemployed of cities joined workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” called forth draconian repression from the employers and the state. We will begin with selections of Balestrini’s poetry.
URL:https://marxedproject.org/event/the-novels-of-nanni-balestrini-with-the-mep-literature-group/2022-10-13/
LOCATION:United States
CATEGORIES:Anti-capitalist Literature,Capital vs. Labor,Classes/Events,communism,Cultural Resistance,Fordism,Insurgency,Italian history,Labor History,Labor Organizing,Late Capital and Fascism,Literary Studies,Literature,Multi-session Classes,Neo-fascism,Poetry,Radical Literature,Solidarity,Workers’ Inquiry,Working Class History
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220421T190000
DTEND;TZID=America/Halifax:20220421T210000
DTSTAMP:20260616T234055
CREATED:20220129T034642Z
LAST-MODIFIED:20220318T234224Z
UID:10007055-1650567600-1650574800@marxedproject.org
SUMMARY:Never-Ending War!: Novels on Conflict\, Resistance and Resilience
DESCRIPTION:with The MEP Literature Studies Group (five more weeks)\n“Fiction gives us empathy: it puts us inside the minds of other people\, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things\, over and over.” – Neil Gaiman \nThe Marxist Education Project Lit reading group revisits some literary classics along with contemporary novels that are prescient and compelling –challenging us to think about our understanding of history and how we will confront the present moment. \n  \nColonel Chabert by Honoré de Balzac (originally published in 1832)\nOne of the shorter\, but also prescient novels of Balzac’s “The Human Comedy” (La Comédie Humaine)\, Colonel Chabert Balzac juxtaposes two world-views: the Napoleonic value-system\, founded on honor and military valor and that of the Restoration\, through the story of a returning soldier who is literally dead to the world. The discussion of this has concluded. \nAt Night All Blood is Black by David Diop (2018)\nAlfa Ndiaye is a Senegalese man who\, never before having left his village\, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War One. Peppered with bullets and magic\, this remarkable novel fills in a forgotten chapter in the history of the “Great War’\, as WWI was known until the next world war. Blending oral storytelling traditions with the gritty\, day-to-day\, journalistic horror of life in the trenches\, David Diop’s At Night All Blood is Black is a dazzling tale of a descent into complete madness The discussion of this has concluded. \nThe Pull of the Stars by Emma Donaghue (2020)\nDublin\, 1918: three days in a maternity ward at the height of the Great Flu. A small world of work\, risk\, death and unlooked-for love. In an Ireland doubly ravaged by war and disease\, Nurse Julia Power works at an understaffed hospital in the city center—the ward where expectant mothers who have come down with the terrible new flu are quarantined. \nConquered City by Victor Serge (1932)\n1919-1920: St. Petersburg\, city of the czars\, has fallen to the Revolution. Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red\, the Communists who have dared to pick up the weapons of power—police\, guns\, jails\, spies\, treachery—in the doomed gamble that by wielding them righteously\, they can put an end to the need for terror\, perhaps forever. Conquered City is their tragedy and testament. \nSlaughterhouse Five by Kurt Vonnegut (1969)\nSlaughterhouse Five follows the life and experiences of Billy Pilgrim\, from his early years\, to his time as an American soldier and chaplain’s assistant during World War II\, to the post-war years\, with Billy occasionally traveling through time. The time travel returns to the fire-bombing of Dresden\, which was a firebombing by the British and Americans incinerating about 25\,000. Vonnegut’s novel has been called an example of “unmatched moral clarity” and “one of the most enduring antiwar novels of all time”. Vonnegut had been a prisoner of war in Dresden during this bombing. \n 
URL:https://marxedproject.org/event/never-ending-war-novels-on-conflict-resistance-and-resilience/2022-04-21/
LOCATION:United States
CATEGORIES:American Literature,Anti-capitalist art,Art and politics,Classes/Events,Cultural Resistance,Literary Studies,Radical Literature,Seminars and Talks,Speculative fiction,War Fiction
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2022/01/BombFactory.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220414T190000
DTEND;TZID=America/Halifax:20220414T210000
DTSTAMP:20260616T234055
CREATED:20220129T034642Z
LAST-MODIFIED:20220318T234224Z
UID:10007054-1649962800-1649970000@marxedproject.org
SUMMARY:Never-Ending War!: Novels on Conflict\, Resistance and Resilience
DESCRIPTION:with The MEP Literature Studies Group (five more weeks)\n“Fiction gives us empathy: it puts us inside the minds of other people\, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things\, over and over.” – Neil Gaiman \nThe Marxist Education Project Lit reading group revisits some literary classics along with contemporary novels that are prescient and compelling –challenging us to think about our understanding of history and how we will confront the present moment. \n  \nColonel Chabert by Honoré de Balzac (originally published in 1832)\nOne of the shorter\, but also prescient novels of Balzac’s “The Human Comedy” (La Comédie Humaine)\, Colonel Chabert Balzac juxtaposes two world-views: the Napoleonic value-system\, founded on honor and military valor and that of the Restoration\, through the story of a returning soldier who is literally dead to the world. The discussion of this has concluded. \nAt Night All Blood is Black by David Diop (2018)\nAlfa Ndiaye is a Senegalese man who\, never before having left his village\, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War One. Peppered with bullets and magic\, this remarkable novel fills in a forgotten chapter in the history of the “Great War’\, as WWI was known until the next world war. Blending oral storytelling traditions with the gritty\, day-to-day\, journalistic horror of life in the trenches\, David Diop’s At Night All Blood is Black is a dazzling tale of a descent into complete madness The discussion of this has concluded. \nThe Pull of the Stars by Emma Donaghue (2020)\nDublin\, 1918: three days in a maternity ward at the height of the Great Flu. A small world of work\, risk\, death and unlooked-for love. In an Ireland doubly ravaged by war and disease\, Nurse Julia Power works at an understaffed hospital in the city center—the ward where expectant mothers who have come down with the terrible new flu are quarantined. \nConquered City by Victor Serge (1932)\n1919-1920: St. Petersburg\, city of the czars\, has fallen to the Revolution. Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red\, the Communists who have dared to pick up the weapons of power—police\, guns\, jails\, spies\, treachery—in the doomed gamble that by wielding them righteously\, they can put an end to the need for terror\, perhaps forever. Conquered City is their tragedy and testament. \nSlaughterhouse Five by Kurt Vonnegut (1969)\nSlaughterhouse Five follows the life and experiences of Billy Pilgrim\, from his early years\, to his time as an American soldier and chaplain’s assistant during World War II\, to the post-war years\, with Billy occasionally traveling through time. The time travel returns to the fire-bombing of Dresden\, which was a firebombing by the British and Americans incinerating about 25\,000. Vonnegut’s novel has been called an example of “unmatched moral clarity” and “one of the most enduring antiwar novels of all time”. Vonnegut had been a prisoner of war in Dresden during this bombing. \n 
URL:https://marxedproject.org/event/never-ending-war-novels-on-conflict-resistance-and-resilience/2022-04-14/
LOCATION:United States
CATEGORIES:American Literature,Anti-capitalist art,Art and politics,Classes/Events,Cultural Resistance,Literary Studies,Radical Literature,Seminars and Talks,Speculative fiction,War Fiction
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2022/01/BombFactory.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220407T190000
DTEND;TZID=America/Halifax:20220407T210000
DTSTAMP:20260616T234055
CREATED:20220129T034642Z
LAST-MODIFIED:20220318T234224Z
UID:10007053-1649358000-1649365200@marxedproject.org
SUMMARY:Never-Ending War!: Novels on Conflict\, Resistance and Resilience
DESCRIPTION:with The MEP Literature Studies Group (five more weeks)\n“Fiction gives us empathy: it puts us inside the minds of other people\, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things\, over and over.” – Neil Gaiman \nThe Marxist Education Project Lit reading group revisits some literary classics along with contemporary novels that are prescient and compelling –challenging us to think about our understanding of history and how we will confront the present moment. \n  \nColonel Chabert by Honoré de Balzac (originally published in 1832)\nOne of the shorter\, but also prescient novels of Balzac’s “The Human Comedy” (La Comédie Humaine)\, Colonel Chabert Balzac juxtaposes two world-views: the Napoleonic value-system\, founded on honor and military valor and that of the Restoration\, through the story of a returning soldier who is literally dead to the world. The discussion of this has concluded. \nAt Night All Blood is Black by David Diop (2018)\nAlfa Ndiaye is a Senegalese man who\, never before having left his village\, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War One. Peppered with bullets and magic\, this remarkable novel fills in a forgotten chapter in the history of the “Great War’\, as WWI was known until the next world war. Blending oral storytelling traditions with the gritty\, day-to-day\, journalistic horror of life in the trenches\, David Diop’s At Night All Blood is Black is a dazzling tale of a descent into complete madness The discussion of this has concluded. \nThe Pull of the Stars by Emma Donaghue (2020)\nDublin\, 1918: three days in a maternity ward at the height of the Great Flu. A small world of work\, risk\, death and unlooked-for love. In an Ireland doubly ravaged by war and disease\, Nurse Julia Power works at an understaffed hospital in the city center—the ward where expectant mothers who have come down with the terrible new flu are quarantined. \nConquered City by Victor Serge (1932)\n1919-1920: St. Petersburg\, city of the czars\, has fallen to the Revolution. Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red\, the Communists who have dared to pick up the weapons of power—police\, guns\, jails\, spies\, treachery—in the doomed gamble that by wielding them righteously\, they can put an end to the need for terror\, perhaps forever. Conquered City is their tragedy and testament. \nSlaughterhouse Five by Kurt Vonnegut (1969)\nSlaughterhouse Five follows the life and experiences of Billy Pilgrim\, from his early years\, to his time as an American soldier and chaplain’s assistant during World War II\, to the post-war years\, with Billy occasionally traveling through time. The time travel returns to the fire-bombing of Dresden\, which was a firebombing by the British and Americans incinerating about 25\,000. Vonnegut’s novel has been called an example of “unmatched moral clarity” and “one of the most enduring antiwar novels of all time”. Vonnegut had been a prisoner of war in Dresden during this bombing. \n 
URL:https://marxedproject.org/event/never-ending-war-novels-on-conflict-resistance-and-resilience/2022-04-07/
LOCATION:United States
CATEGORIES:American Literature,Anti-capitalist art,Art and politics,Classes/Events,Cultural Resistance,Literary Studies,Radical Literature,Seminars and Talks,Speculative fiction,War Fiction
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2022/01/BombFactory.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220331T190000
DTEND;TZID=America/Halifax:20220331T210000
DTSTAMP:20260616T234055
CREATED:20220129T034642Z
LAST-MODIFIED:20220318T234224Z
UID:10007052-1648753200-1648760400@marxedproject.org
SUMMARY:Never-Ending War!: Novels on Conflict\, Resistance and Resilience
DESCRIPTION:with The MEP Literature Studies Group (five more weeks)\n“Fiction gives us empathy: it puts us inside the minds of other people\, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things\, over and over.” – Neil Gaiman \nThe Marxist Education Project Lit reading group revisits some literary classics along with contemporary novels that are prescient and compelling –challenging us to think about our understanding of history and how we will confront the present moment. \n  \nColonel Chabert by Honoré de Balzac (originally published in 1832)\nOne of the shorter\, but also prescient novels of Balzac’s “The Human Comedy” (La Comédie Humaine)\, Colonel Chabert Balzac juxtaposes two world-views: the Napoleonic value-system\, founded on honor and military valor and that of the Restoration\, through the story of a returning soldier who is literally dead to the world. The discussion of this has concluded. \nAt Night All Blood is Black by David Diop (2018)\nAlfa Ndiaye is a Senegalese man who\, never before having left his village\, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War One. Peppered with bullets and magic\, this remarkable novel fills in a forgotten chapter in the history of the “Great War’\, as WWI was known until the next world war. Blending oral storytelling traditions with the gritty\, day-to-day\, journalistic horror of life in the trenches\, David Diop’s At Night All Blood is Black is a dazzling tale of a descent into complete madness The discussion of this has concluded. \nThe Pull of the Stars by Emma Donaghue (2020)\nDublin\, 1918: three days in a maternity ward at the height of the Great Flu. A small world of work\, risk\, death and unlooked-for love. In an Ireland doubly ravaged by war and disease\, Nurse Julia Power works at an understaffed hospital in the city center—the ward where expectant mothers who have come down with the terrible new flu are quarantined. \nConquered City by Victor Serge (1932)\n1919-1920: St. Petersburg\, city of the czars\, has fallen to the Revolution. Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red\, the Communists who have dared to pick up the weapons of power—police\, guns\, jails\, spies\, treachery—in the doomed gamble that by wielding them righteously\, they can put an end to the need for terror\, perhaps forever. Conquered City is their tragedy and testament. \nSlaughterhouse Five by Kurt Vonnegut (1969)\nSlaughterhouse Five follows the life and experiences of Billy Pilgrim\, from his early years\, to his time as an American soldier and chaplain’s assistant during World War II\, to the post-war years\, with Billy occasionally traveling through time. The time travel returns to the fire-bombing of Dresden\, which was a firebombing by the British and Americans incinerating about 25\,000. Vonnegut’s novel has been called an example of “unmatched moral clarity” and “one of the most enduring antiwar novels of all time”. Vonnegut had been a prisoner of war in Dresden during this bombing. \n 
URL:https://marxedproject.org/event/never-ending-war-novels-on-conflict-resistance-and-resilience/2022-03-31/
LOCATION:United States
CATEGORIES:American Literature,Anti-capitalist art,Art and politics,Classes/Events,Cultural Resistance,Literary Studies,Radical Literature,Seminars and Talks,Speculative fiction,War Fiction
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2022/01/BombFactory.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220324T190000
DTEND;TZID=America/Halifax:20220324T210000
DTSTAMP:20260616T234055
CREATED:20220129T034642Z
LAST-MODIFIED:20220318T234224Z
UID:10007051-1648148400-1648155600@marxedproject.org
SUMMARY:Never-Ending War!: Novels on Conflict\, Resistance and Resilience
DESCRIPTION:with The MEP Literature Studies Group (five more weeks)\n“Fiction gives us empathy: it puts us inside the minds of other people\, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things\, over and over.” – Neil Gaiman \nThe Marxist Education Project Lit reading group revisits some literary classics along with contemporary novels that are prescient and compelling –challenging us to think about our understanding of history and how we will confront the present moment. \n  \nColonel Chabert by Honoré de Balzac (originally published in 1832)\nOne of the shorter\, but also prescient novels of Balzac’s “The Human Comedy” (La Comédie Humaine)\, Colonel Chabert Balzac juxtaposes two world-views: the Napoleonic value-system\, founded on honor and military valor and that of the Restoration\, through the story of a returning soldier who is literally dead to the world. The discussion of this has concluded. \nAt Night All Blood is Black by David Diop (2018)\nAlfa Ndiaye is a Senegalese man who\, never before having left his village\, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War One. Peppered with bullets and magic\, this remarkable novel fills in a forgotten chapter in the history of the “Great War’\, as WWI was known until the next world war. Blending oral storytelling traditions with the gritty\, day-to-day\, journalistic horror of life in the trenches\, David Diop’s At Night All Blood is Black is a dazzling tale of a descent into complete madness The discussion of this has concluded. \nThe Pull of the Stars by Emma Donaghue (2020)\nDublin\, 1918: three days in a maternity ward at the height of the Great Flu. A small world of work\, risk\, death and unlooked-for love. In an Ireland doubly ravaged by war and disease\, Nurse Julia Power works at an understaffed hospital in the city center—the ward where expectant mothers who have come down with the terrible new flu are quarantined. \nConquered City by Victor Serge (1932)\n1919-1920: St. Petersburg\, city of the czars\, has fallen to the Revolution. Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red\, the Communists who have dared to pick up the weapons of power—police\, guns\, jails\, spies\, treachery—in the doomed gamble that by wielding them righteously\, they can put an end to the need for terror\, perhaps forever. Conquered City is their tragedy and testament. \nSlaughterhouse Five by Kurt Vonnegut (1969)\nSlaughterhouse Five follows the life and experiences of Billy Pilgrim\, from his early years\, to his time as an American soldier and chaplain’s assistant during World War II\, to the post-war years\, with Billy occasionally traveling through time. The time travel returns to the fire-bombing of Dresden\, which was a firebombing by the British and Americans incinerating about 25\,000. Vonnegut’s novel has been called an example of “unmatched moral clarity” and “one of the most enduring antiwar novels of all time”. Vonnegut had been a prisoner of war in Dresden during this bombing. \n 
URL:https://marxedproject.org/event/never-ending-war-novels-on-conflict-resistance-and-resilience/2022-03-24/
LOCATION:United States
CATEGORIES:American Literature,Anti-capitalist art,Art and politics,Classes/Events,Cultural Resistance,Literary Studies,Radical Literature,Seminars and Talks,Speculative fiction,War Fiction
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2022/01/BombFactory.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220312T140000
DTEND;TZID=America/Halifax:20220312T160000
DTSTAMP:20260616T234055
CREATED:20220124T033558Z
LAST-MODIFIED:20220208T050236Z
UID:10007049-1647093600-1647100800@marxedproject.org
SUMMARY:Insurrecto with author Gina Apostol in conversation with Patricia McManus
DESCRIPTION:“Of course\, as opposed to the colonizer\, the world of the colonized is visibly and thus irreparably multiple – because included in the world of the colonized is the world of the colonizer.”. —How Do We Know the Things That Make Us?\, An essay from Gina Apostol \nGina Apostol’s Insurrecto is a harrowing depiction of the nearly 125-year history of U.S. intervention\, occupation\, and domination in the Philippines. Through a compelling historical\, cultural\, post-modernist journey\, the author recounts the U.S. hold on the Philippines\, as told by Magsalin\, a Filipina translator and screenwriter\, and Chiara\, an American filmmaker. The U.S.-made merry-go-round of dictators has circled around Manila and the 7\,000-plus islands of the Philippines since the 1901 massacre at Balangiga—the slaughter of more than 2\,500 Filipinos in retaliation for 40 American soldiers killed in a raid by local national liberationists. When President Theodore Roosevelt issued a command to pacify the Philippines after the raid was reported to him\, the local U.S. general issued the following command:  “I want no prisoners. I wish you to kill and burn; the more you kill and burn\, the better it will please me… The interior of Samar must be made a howling wilderness.” From that point on he was known as “Howling Wilderness” Smith. Insurrecto spans the decades from the moment of the massacre to the current Duterte regime\, with much between—a fractured story of torture and misrepresentation over many years of U.S. and western hegemony. \nPlease join Gina Apostol and  Patricia McManus for an evening of discovery as they discuss the inspiration\, writing\, and more of this astonishing novel (published by Soho Press). \nGINA APOSTOL’s third book\, Gun Dealers’ Daughter\, won the2013 PEN/Open Book Award and was shortlisted for the William Saroyan International Prize. Her first two novels\, Bibliolepsy and The Revolution According to Raymundo Mata\, both won the Juan Laya Prize for the Novel (Philippine National Book Award). She was a fellow at Civitella Ranieri in Umbria\, Italy\, among other fellowships. Her essays and stories have appeared in The New York Times\, Los Angeles Review of Books\, Foreign Policy\, Gettysburg Review\, Massachusetts Review\, and others. She lives in New York City and western Massachusetts and grew up in Tacloban\, Philippines. She teaches at the Fieldston School in New York City. \nPATRICIA McMANUS is a Senior Lecturer\, School of Humanities at University of Brighton. She is the founder of the Dystopia Project. Her research interests are the novel—in particular the problems involved in understanding genre as a productive force in literary history—and Marxism as a methodology for utopianism.
URL:https://marxedproject.org/event/insurrecto/
LOCATION:United States
CATEGORIES:American Imperialism,American Literature,Anti-fascism,Asia,Classes/Events,Colonialism,Critical Theory,Cultural Resistance,Globalization,Literary Studies,Radical Literature,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2022/01/InsurrectoBanner.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210311T190000
DTEND;TZID=America/Halifax:20210311T210000
DTSTAMP:20260616T234055
CREATED:20201214T175355Z
LAST-MODIFIED:20210312T210306Z
UID:10006843-1615489200-1615496400@marxedproject.org
SUMMARY:M.A.D. Lit 101: American Fiction and the Cold War
DESCRIPTION:The year 1953 was like most of the years following the end of the slaughter of World War II. It was another year of the baby boom that filled maternity wards in the United States\, a generation that ironically couldn’t wait to leave these suburbs. The Cold War was well under way\, and anti-communism in the U.S. was at its peak. Politicians pontificated that it was “better to be dead than Red.” In the East and the West\, the military apparatus stockpiled nuclear weapons capable of ending life on this planet thousands of times over — Mutually Assured Destruction. \nWe began this reading group with Shirley Jackson’s short story “The Lottery” followed by a shared reading of Allen Ginsburg’s Howl\, and have nowcompleted our discussion of Ring Lardner\, Jr.’s The Ecstasy of Owen Muir. We have just started The Public Burning by Robert Coover\, after which we will read and discuss Richard Wright’s The Outsider. Coover’s novel is a political economy of the US as the hegemon of Post World War II capital global restructuring and the shift of much production to energy\, the military and finance and the attempted thorough destruction of any semblance of a left opposition. \nWhat can we learn from these literary renderings and how do they help us understand the perilous period in history that we now find ourselves living? \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on migration\,border politics and labor organizing and our most recent session on Women Who Wrote Against Fascism\, and this summer will the group will host a 5th consecutive Noir Summer.
URL:https://marxedproject.org/event/m-a-d-lit-101-american-fiction-and-the-cold-war/2021-03-11/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:American Literature,Classes/Events,Literary Studies,Multi-session Classes,Race and Class,Radical Literature,Revolutions Study Group,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/12/MutualAssuredScreenSmallest.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210304T190000
DTEND;TZID=America/Halifax:20210304T210000
DTSTAMP:20260616T234055
CREATED:20201214T175355Z
LAST-MODIFIED:20210312T210306Z
UID:10006842-1614884400-1614891600@marxedproject.org
SUMMARY:M.A.D. Lit 101: American Fiction and the Cold War
DESCRIPTION:The year 1953 was like most of the years following the end of the slaughter of World War II. It was another year of the baby boom that filled maternity wards in the United States\, a generation that ironically couldn’t wait to leave these suburbs. The Cold War was well under way\, and anti-communism in the U.S. was at its peak. Politicians pontificated that it was “better to be dead than Red.” In the East and the West\, the military apparatus stockpiled nuclear weapons capable of ending life on this planet thousands of times over — Mutually Assured Destruction. \nWe began this reading group with Shirley Jackson’s short story “The Lottery” followed by a shared reading of Allen Ginsburg’s Howl\, and have nowcompleted our discussion of Ring Lardner\, Jr.’s The Ecstasy of Owen Muir. We have just started The Public Burning by Robert Coover\, after which we will read and discuss Richard Wright’s The Outsider. Coover’s novel is a political economy of the US as the hegemon of Post World War II capital global restructuring and the shift of much production to energy\, the military and finance and the attempted thorough destruction of any semblance of a left opposition. \nWhat can we learn from these literary renderings and how do they help us understand the perilous period in history that we now find ourselves living? \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on migration\,border politics and labor organizing and our most recent session on Women Who Wrote Against Fascism\, and this summer will the group will host a 5th consecutive Noir Summer.
URL:https://marxedproject.org/event/m-a-d-lit-101-american-fiction-and-the-cold-war/2021-03-04/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:American Literature,Classes/Events,Literary Studies,Multi-session Classes,Race and Class,Radical Literature,Revolutions Study Group,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/12/MutualAssuredScreenSmallest.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210225T190000
DTEND;TZID=America/Halifax:20210225T210000
DTSTAMP:20260616T234055
CREATED:20201214T175355Z
LAST-MODIFIED:20210312T210306Z
UID:10006841-1614279600-1614286800@marxedproject.org
SUMMARY:M.A.D. Lit 101: American Fiction and the Cold War
DESCRIPTION:The year 1953 was like most of the years following the end of the slaughter of World War II. It was another year of the baby boom that filled maternity wards in the United States\, a generation that ironically couldn’t wait to leave these suburbs. The Cold War was well under way\, and anti-communism in the U.S. was at its peak. Politicians pontificated that it was “better to be dead than Red.” In the East and the West\, the military apparatus stockpiled nuclear weapons capable of ending life on this planet thousands of times over — Mutually Assured Destruction. \nWe began this reading group with Shirley Jackson’s short story “The Lottery” followed by a shared reading of Allen Ginsburg’s Howl\, and have nowcompleted our discussion of Ring Lardner\, Jr.’s The Ecstasy of Owen Muir. We have just started The Public Burning by Robert Coover\, after which we will read and discuss Richard Wright’s The Outsider. Coover’s novel is a political economy of the US as the hegemon of Post World War II capital global restructuring and the shift of much production to energy\, the military and finance and the attempted thorough destruction of any semblance of a left opposition. \nWhat can we learn from these literary renderings and how do they help us understand the perilous period in history that we now find ourselves living? \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on migration\,border politics and labor organizing and our most recent session on Women Who Wrote Against Fascism\, and this summer will the group will host a 5th consecutive Noir Summer.
URL:https://marxedproject.org/event/m-a-d-lit-101-american-fiction-and-the-cold-war/2021-02-25/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:American Literature,Classes/Events,Literary Studies,Multi-session Classes,Race and Class,Radical Literature,Revolutions Study Group,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/12/MutualAssuredScreenSmallest.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210218T190000
DTEND;TZID=America/Halifax:20210218T210000
DTSTAMP:20260616T234055
CREATED:20201214T175355Z
LAST-MODIFIED:20210312T210306Z
UID:10006840-1613674800-1613682000@marxedproject.org
SUMMARY:M.A.D. Lit 101: American Fiction and the Cold War
DESCRIPTION:The year 1953 was like most of the years following the end of the slaughter of World War II. It was another year of the baby boom that filled maternity wards in the United States\, a generation that ironically couldn’t wait to leave these suburbs. The Cold War was well under way\, and anti-communism in the U.S. was at its peak. Politicians pontificated that it was “better to be dead than Red.” In the East and the West\, the military apparatus stockpiled nuclear weapons capable of ending life on this planet thousands of times over — Mutually Assured Destruction. \nWe began this reading group with Shirley Jackson’s short story “The Lottery” followed by a shared reading of Allen Ginsburg’s Howl\, and have nowcompleted our discussion of Ring Lardner\, Jr.’s The Ecstasy of Owen Muir. We have just started The Public Burning by Robert Coover\, after which we will read and discuss Richard Wright’s The Outsider. Coover’s novel is a political economy of the US as the hegemon of Post World War II capital global restructuring and the shift of much production to energy\, the military and finance and the attempted thorough destruction of any semblance of a left opposition. \nWhat can we learn from these literary renderings and how do they help us understand the perilous period in history that we now find ourselves living? \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on migration\,border politics and labor organizing and our most recent session on Women Who Wrote Against Fascism\, and this summer will the group will host a 5th consecutive Noir Summer.
URL:https://marxedproject.org/event/m-a-d-lit-101-american-fiction-and-the-cold-war/2021-02-18/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:American Literature,Classes/Events,Literary Studies,Multi-session Classes,Race and Class,Radical Literature,Revolutions Study Group,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/12/MutualAssuredScreenSmallest.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210211T190000
DTEND;TZID=America/Halifax:20210211T210000
DTSTAMP:20260616T234055
CREATED:20201214T175355Z
LAST-MODIFIED:20210312T210306Z
UID:10006839-1613070000-1613077200@marxedproject.org
SUMMARY:M.A.D. Lit 101: American Fiction and the Cold War
DESCRIPTION:The year 1953 was like most of the years following the end of the slaughter of World War II. It was another year of the baby boom that filled maternity wards in the United States\, a generation that ironically couldn’t wait to leave these suburbs. The Cold War was well under way\, and anti-communism in the U.S. was at its peak. Politicians pontificated that it was “better to be dead than Red.” In the East and the West\, the military apparatus stockpiled nuclear weapons capable of ending life on this planet thousands of times over — Mutually Assured Destruction. \nWe began this reading group with Shirley Jackson’s short story “The Lottery” followed by a shared reading of Allen Ginsburg’s Howl\, and have nowcompleted our discussion of Ring Lardner\, Jr.’s The Ecstasy of Owen Muir. We have just started The Public Burning by Robert Coover\, after which we will read and discuss Richard Wright’s The Outsider. Coover’s novel is a political economy of the US as the hegemon of Post World War II capital global restructuring and the shift of much production to energy\, the military and finance and the attempted thorough destruction of any semblance of a left opposition. \nWhat can we learn from these literary renderings and how do they help us understand the perilous period in history that we now find ourselves living? \nThe MEP LITERATURE GROUP has been meeting to discuss literature since the first days of The Marxist Education Project following a presentation by Roxanne Dunbar-Ortiz on her Indigenous Peoples History of the United States and her recommendation that we take up literature with Leslie Marmon Silko’s Almanac of The Dead. The group has rcompleted readings of Victor Serge’s Unforgiving Years which was followed by Thomas Pynchon’s Gravity’s Rainbow. Other studies have included novels related to World War I\, the depression of the 1930s\, and novels on migration\,border politics and labor organizing and our most recent session on Women Who Wrote Against Fascism\, and this summer will the group will host a 5th consecutive Noir Summer.
URL:https://marxedproject.org/event/m-a-d-lit-101-american-fiction-and-the-cold-war/2021-02-11/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:American Literature,Classes/Events,Literary Studies,Multi-session Classes,Race and Class,Radical Literature,Revolutions Study Group,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/12/MutualAssuredScreenSmallest.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201001T190000
DTEND;TZID=America/Halifax:20201001T210000
DTSTAMP:20260616T234055
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006767-1601578800-1601586000@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-10-01/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200924T190000
DTEND;TZID=America/Halifax:20200924T210000
DTSTAMP:20260616T234055
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006766-1600974000-1600981200@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-09-24/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200917T190000
DTEND;TZID=America/Halifax:20200917T210000
DTSTAMP:20260616T234055
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006765-1600369200-1600376400@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-09-17/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200910T190000
DTEND;TZID=America/Halifax:20200910T210000
DTSTAMP:20260616T234055
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006764-1599764400-1599771600@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-09-10/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
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