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UID:10006170-1616335200-1616342400@marxedproject.org
SUMMARY:Working Class Cinema in the Age of Digital Capitalism
DESCRIPTION:A presentation and discussion with\nMassimiliano (Mao) Mollona\nWhy does the story of cinema begin with the end of work? Is it because\, as has been suggested\, it is impossible to represent work from the perspective of labor but only from the point of view of capital\, because the revolutionary horizon of the working class coincides with the end of work? After all\, the early revolutionary art avant-garde had an ambiguous relationship with capitalism: it provided both a critique of commodification while also reproducing the commodity form. Even the cinema of Eisenstein\, which so subverted the bourgeois sense of space\, time\, and personhood\, at the same time standardized and commodified working-class reality with techniques of framing and editing that molded images on the commodity form. \nSuch dialectics between art and the commodity form continue to be played out in today’s digital capitalism\, as exemplified by so-called ‘debt-artists’\, like the hackers collective Robin Hood\, who appropriate the techniques and modes of sociality of financial capitalism to generate spaces of reciprocity and cooperation with the aim of disrupting their commodity logic\, but who in fact end up reproducing it. The tension between critique and commodification is no less in play as the digital medium erases the specificity of cinema\, the relation between its material bases and its poetics\, opening up as it does to other relations – intertextual\, lateral\, and cross-media – that recall the synchronic aesthetics of the avant-garde. As well as disrupting the materiality of the film medium\, digital film disrupts the temporality of classical cinema\, suspended in-between movement and stillness and experienced in the expanded duration of the time-image. \nMASSIMILIANO (Mao) MOLLONA is a Senior Lecturer in Anthropology at Goldsmiths University of London. One of Mao’s main research interests is to look at the role of art institutions and cultural organizations in relation to the bio-politics and political economy of late capitalism. \n  \nAll events are sliding scale. No one is denied admission for an inability to pay. If you are unable to contribute please write to info@marxedproject.org to be given the URL for the zoom code for admission to this or other events. \nThis essay is available from The MEP in the Socialist Register 2021 book that is for sale in our bookstore. All book prices include shipping (US and Puerto Rico only). \n 
URL:https://marxedproject.org/event/working-class-cinema-in-the-age-of-digital-capitalism/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Class,Classes/Events,Film Screenings,Intro to Marxism,Literary Studies,Political Economy,Radical Literature,Science and Method,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/01/ManWithMovie.jpg
ORGANIZER;CN="Capital Studies Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20201001T190000
DTEND;TZID=America/Halifax:20201001T210000
DTSTAMP:20200814T012608Z
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006767-1601578800-1601586000@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-10-01/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200924T190000
DTEND;TZID=America/Halifax:20200924T210000
DTSTAMP:20200814T012608Z
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006766-1600974000-1600981200@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-09-24/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200917T190000
DTEND;TZID=America/Halifax:20200917T210000
DTSTAMP:20200814T012608Z
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006765-1600369200-1600376400@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-09-17/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200910T190000
DTEND;TZID=America/Halifax:20200910T210000
DTSTAMP:20200814T012608Z
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006764-1599764400-1599771600@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-09-10/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200904T180000
DTEND;TZID=America/Halifax:20200904T200000
DTSTAMP:20200729T080556Z
CREATED:20200729T080556Z
LAST-MODIFIED:20200729T080556Z
UID:10006769-1599242400-1599249600@marxedproject.org
SUMMARY:Perry Mason and the Case of the Careless Remake
DESCRIPTION:A special presentation with Dennis Broe\nPresented by The Marxist Education Project with Institute for the Radical Imagination \nVia Zoom \nIt’s the third most popular book series of all time\, a show that ran in some form for over 35 years and is now the flagship production for HBO’s summer lineup. \nPerry Mason\, the indefatigable defender of hopeless cases that the police have seemingly wrapped up\, has been reinvented as a no-account Jake Gittes from Chinatown\, a two-bit blackmailer and lost generation PTSD war casualty navigating the streets of 1932 Los Angeles at the height of the depression. Hoovervilles\, the Bonus March\, and the rich in tuxedos with the poor at their feet form the background of the series and suggest our own era where Trumpvilles flourish and will soon expand when unemployment benefits are exhausted. \n \nWe’ll take a critical look at this refashioning of the criminal defense attorney\, with a Della Street who wants equal pay in the law office and an African-American investigator\, the refurbished Paul Drake\, who abandons the very low ceiling of a black beat cop on the LAPD to work elsewhere. \nWe’ll also take up questions of how HBO\, now owned and under the tutelage of AT&T\, the conservative telecom company from Dallas\, may be changing as it becomes the centerpiece of the AT&T/Time Warner streaming service. As well as how the American “period fetish” and faithfulness to the letter but not the spirit of the law of the original plays out in this remake. \nFor those who are able\, the Perry Mason series is available every Sunday from 9 to 10 pm EST for new episodes\, and is available on demand for streaming with many local cable / satellite providers of televised content. \nDennis Broe taught Television Studies at the Sorbonne. He is the author of Birth of the Binge: Serial TV and The End of Leisure\, Maverick or How The West Was Lostand the soon-to-be-published Diary of a Digital Plague Year: Coronavirus\, Serial TV and The Rise of the Streaming Services. His TV criticism appears at Bro on the Global Television Beat. His television\, film\, art and literary criticism also appears in the British newspaper Morning Star and on People’s World and Crime Time. He is an associate editor of Culture Matters. His radio broadcasts on his show Breaking Glass appear on Art District Radio in Paris and on Arts Express in New York on WBAI and across the Pacifica Network.   \nAll tickets are sliding scale. No one is refused admission for inability to pay  
URL:https://marxedproject.org/event/perry-mason-and-the-case-of-the-careless-remake/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/PerrySnaps.jpg
ORGANIZER;CN="Anti-Bourgeois Film Series":MAILTO:info@marxedprojet.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200903T190000
DTEND;TZID=America/Halifax:20200903T210000
DTSTAMP:20200814T012608Z
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006763-1599159600-1599166800@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-09-03/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200827T190000
DTEND;TZID=America/Halifax:20200827T210000
DTSTAMP:20200814T012608Z
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006762-1598554800-1598562000@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-08-27/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200820T190000
DTEND;TZID=America/Halifax:20200820T210000
DTSTAMP:20200814T012608Z
CREATED:20200717T033928Z
LAST-MODIFIED:20200814T012608Z
UID:10006761-1597950000-1597957200@marxedproject.org
SUMMARY:Lit and Film: Noir for the Summer of Covid-19
DESCRIPTION:8 sessions\nvia teleconference on Zoom • participation code with registration\nSliding scale admission for teleconference \nContinuing in the MEP LITERATURE GROUP summer tradition\, we will once again delve into Noir genres– but with a twist! Starting August 6\, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them. \nBOOK 1 Odd Man Out /F. L. Green \nF.L. (Laurie) Green’s novel was published in 1945. It followed upon wartime action by the IRA in Belfast\, in consequence of which Northern Ireland undertook its first and only execution of an IRA member\, 19-year old Tom Williams. In the novel\, an IRA plot goes horribly wrong when its leader\, Johnny Murtah\, kills an innocent man\, and he is gravely wounded. Odd Man Out is Green’s most significant novel. \nMOVIE 1 Odd Man Out /Carol Reed • AUGUST 20\nTakes place largely over the course of one tense night\, Reed’s psychological noir\, set in Belfast\, stars James Mason as a revolutionary ex-con who leads a botched robbery. Injured and hunted by the police\, he seeks refuge throughout the city\, while the woman he loves searches for him among the shadows. Reed and cinematographer Robert Krasker create images of stunning depth for this fierce\, spiritual depiction of a man’s ultimate confrontation with himself. \nBOOK 2 Clean Break /Lionel White • AUGUST 27\n“… none of them are professional crooks. They all have jobs\, they all live seemingly decent\, normal lives. But they all have money problems and they all have larceny in them.” In the opening chapter\, Lionel White sets the stage for the main protagonists of the story: Marvin Unger\, court reporter; George Peatty\, a racetrack cashier and his bored wife\, Sherry; Randy Kennan\, a cop distracted by huge gambling debts; Mike O’Reilly\, a track barman\, regularly bets and loses half his earnings; and Johnny Clay\, just out of jail\, and who has come up with the plan to steal the earnings fromthe Canarsie Stakes. Creating diversions becomes necessary\, including knocking off the favourite in the race (animals lovers beware…). \nMOVIE 2 The Killing /Stanley Kubrick • SEPTEMBER 3\nStanley Kubrick’s account of an ambitious racetrack robbery is one of Hollywood’s tautest\, twistiest noirs. Aided by a radically time-shuffling narrative\, razor-sharp dialogue from pulp novelist Jim Thompson\, and a phenomenal cast of character actors\, including Sterling Hayden\, Coleen Gray\, Timothy Carey\, Elisha Cook Jr.\, and Marie Windsor\, The Killing is both a jaunty thriller and a cold-blooded punch to the gut. And with its precise tracking shots and gratifying sense of irony\, it’s Kubrick to the core. \nBOOK 3 Down There /David Goodis • SEPTEMBER 10\nOnce upon a time Eddie played concert piano to reverent audiences at Carnegie Hall—now he does honky-tonk in a Philly drunk-dive. But then two people walk into Eddie’s life—the first promising Eddie a future\, the other dragging him back into a treacherous past. Down There (bookretitled after film to Shoot the Piano Player) is a bittersweet and nerve-racking exploration of different kinds of loyalty. \nMOVIE 3 Shoot The Piano Player /François Truffaut • SEPTEMBER 17\nFrançois Truffaut is drunk on the possibilities of cinema in this\, his most playful film. Part thriller\, part comedy\, part tragedy\, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour\, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags\, guns\, clowns\, and thugs\, this razor-sharp homage to the American gangster film is pure nouvelle vague. \nBOOK 4 Friends of Eddie Coyle /George V. Higgins • SEPTEMBER 24\nElmore Leonard said that The Friends of Eddie Coyle was the best crime novel ever written\, though Higgins hated being classified as a crime writer. According to Leonard\, “He saw himself as the Charles Dickens of crime in Boston instead of a crime writer. He just understood the human condition and he understood it most vividly in the language and actions among low lives.” \nMOVIE 4 Friends of Eddie Coyle /Peter Yates • OCTOBER 1\nIn one of the best performances of his legendary career\, Robert Mitchum plays small-time gunrunner Eddie “Fingers” Coyle in an adaptation by Peter Yates of George V. Higgins’s acclaimed novel The Friends of Eddie Coyle. Directed with a sharp eye for its gritty locales and an open heart for its less-than-heroic characters\, this is one of the true treasures of 1970s Hollywood filmmaking—a suspenseful crime drama in stark\, unforgiving daylight. \nWe will attempt to watch together. Those who watch the film on their own are of course welcome to join in the discussions following the films as they are presented.
URL:https://marxedproject.org/event/lit-and-film-noir-for-the-summer-of-covid-19/2020-08-20/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Film Screenings,Literary Studies,Multi-session Classes
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2020/07/NoirSummer2020_FB3c.jpg
ORGANIZER;CN="MEP Literature Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190426T180000
DTEND;TZID=America/Halifax:20190426T210000
DTSTAMP:20190325T054034Z
CREATED:20190325T054034Z
LAST-MODIFIED:20190325T054034Z
UID:10006040-1556301600-1556312400@marxedproject.org
SUMMARY:Tout Va Bien: Screening with Discussion
DESCRIPTION:Final Friday Films: an anti-bourgeois film series\n“The problem is not to make political films but to make films politically.” —Jean-Luc Godard / Jean-Pierre Gorin\nTOUT VA BIEN\nFrance\, 1972\, 125 Min\nDIRECTED BY Jean-Luc Godard and Jean-Pierre Gorin\nCAST Yves Montand\, Jane Fonda\, Vittorio Caprioli\, Elizabeth Chauvin\, Castel Casti\, Éric Chartier\, Anne Wiazemsky\, et al \nGodard and Gorin’s film\, unpopular and hardly viewed when released\, emerges nearly 50 years later as a film with increasing relevance to the days as lived during this late capitalist period. One can see many of the participants in this film wearing gilets jaunes if the film were being shot today. \nFrom the Criterion re-release: \n“As cinema\, Tout Va Bien is radically simplified and blatantly diagrammatic. After the opening sequence\, the Fonda character arrives at a sausage factory to do a story on modern management techniques. Montand tags along\, and\, as the workers have just staged a wildcat strike\, the visiting celebs soon find themselves “sequestered” with the factory’s clownish boss. The approach is self-consciously Brechtian: The characters frequently address the camera. These characters are characters and the set on which they appear is an obvious set. \nThis two-story\, open construction—evoking the cutaway girls’ school in Jerry Lewis’s The Ladies Man (1961)—is\, if not Vertov’s “factory of facts\,” then at least a factory for making meaning. The comic-book frame allows the filmmakers to analyze the strike as a sort of Rube Goldberg contraption and put a didactic emphasis on working conditions. Tout Va Bien insists on class struggle throughout but is mainly about radicalizing its stars. Their role in the factory is to look and learn. Indeed\, Godard and Gorin upped the class-resentment ante by having the striking workers played not by real workers but by unemployed actors.”              —J. Hoberman\, for Criterion\, Tout Va Bien Revisited \nDuring the coming period\, films will be presented by The Revolutions Study Group of The Marxist Education Project as a continuation of the Anti-Bourgeois Film Series that was started at the Brecht Forum. These films with discussion will take place on the last Friday of each month at 6:00 pm. \nTickets are Sliding Scale \n 
URL:https://marxedproject.org/event/tout-va-bien-screening-with-discussion/
LOCATION:The People’s Forum\, 320 West 37th Street\, New York\, NY\, United States
CATEGORIES:Classes/Events,Film Screenings
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2019/03/Sausage_ToutVaBienSite.jpg
ORGANIZER;CN="Anti-Bourgeois Film Series":MAILTO:info@marxedprojet.org
END:VEVENT
END:VCALENDAR