Anti-Bourgeois Film Series
Tout Va Bien: Screening with Discussion
The People's Forum 320 West 37th Street, New York, NY, United States“Tout Va Bien insists on class struggle throughout but is mainly about radicalizing its stars. Their role in the factory is to look and learn. Indeed, Godard and Gorin upped the class-resentment ante by having the striking workers played not by real workers but by unemployed actors.” —J. Hoberman, for Criterion, Tout Va Bien Revisited
Lit and Film: Noir for the Summer of Covid-19
Online: Zoom link will be provided to registered participantsContinuing in the MEP LITERATURE GROUP summer tradition, we will once again delve into Noir genres– but with a twist! Starting August 6, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them.
Lit and Film: Noir for the Summer of Covid-19
Online: Zoom link will be provided to registered participantsContinuing in the MEP LITERATURE GROUP summer tradition, we will once again delve into Noir genres– but with a twist! Starting August 6, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them.
Lit and Film: Noir for the Summer of Covid-19
Online: Zoom link will be provided to registered participantsContinuing in the MEP LITERATURE GROUP summer tradition, we will once again delve into Noir genres– but with a twist! Starting August 6, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them.
Perry Mason and the Case of the Careless Remake
Online: Zoom link will be provided to registered participantsPerry Mason, the indefatigable defender of hopeless cases that the police have seemingly wrapped up, has been reinvented as a no-account Jake Gittes from Chinatown, a two-bit blackmailer and lost generation PTSD war casualty navigating the streets of 1932 Los Angeles at the height of the depression. Hoovervilles, the Bonus March, and the rich in tuxedos with the poor at their feet form the background of the series and suggest our own era where Trumpvilles flourish and will soon expand when unemployment benefits are exhausted.
Lit and Film: Noir for the Summer of Covid-19
Online: Zoom link will be provided to registered participantsContinuing in the MEP LITERATURE GROUP summer tradition, we will once again delve into Noir genres– but with a twist! Starting August 6, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them.
Lit and Film: Noir for the Summer of Covid-19
Online: Zoom link will be provided to registered participantsContinuing in the MEP LITERATURE GROUP summer tradition, we will once again delve into Noir genres– but with a twist! Starting August 6, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them.
Lit and Film: Noir for the Summer of Covid-19
Online: Zoom link will be provided to registered participantsContinuing in the MEP LITERATURE GROUP summer tradition, we will once again delve into Noir genres– but with a twist! Starting August 6, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them.
Lit and Film: Noir for the Summer of Covid-19
Online: Zoom link will be provided to registered participantsContinuing in the MEP LITERATURE GROUP summer tradition, we will once again delve into Noir genres– but with a twist! Starting August 6, we will read four books and watch the movies that are based on them. Please join us for four books with the four movies that resulted from them.
Working Class Cinema in the Age of Digital Capitalism
Online: Zoom link will be provided to registered participantsWhy does the story of cinema begin with the end of work? Is it because, as has been suggested, it is impossible to represent work from the perspective of labor but only from the point of view of capital, because the revolutionary horizon of the working class coincides with the end of work? After all, the early revolutionary art avant-garde had an ambiguous relationship with capitalism: it provided both a critique of commodification while also reproducing the commodity form.