The CIA and art

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.

...we travel to postwar America, where the elites also held that art should fulfill an ideological (if not overtly political) function, but were politically compelled to denigrate both Nazi and now Soviet control over culture. The CIA worked alongside corporations to install “corporate” non-partisan, inoffensive art that celebrated the individual (i.e. capitalist and not communist) and denigrated anything containing possible, even hinted at, socialist leanings. Abstraction, particularly Abstract Expressionism became their rallying cry.