gender
Fridays As In Murder: Women, Violence & Genre Formulas
Brooklyn Commons 388 Atlantic Avenue, BrooklynDrawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.
Fridays As In Murder: Women, Violence & Genre Formulas
Brooklyn Commons 388 Atlantic Avenue, BrooklynDrawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.
Fridays As In Murder: Women, Violence & Genre Formulas
Brooklyn Commons 388 Atlantic Avenue, BrooklynDrawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.
Fridays As In Murder: Women, Violence & Genre Formulas
Brooklyn Commons 388 Atlantic Avenue, BrooklynDrawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.
Fridays As In Murder: Women, Violence & Genre Formulas
Brooklyn Commons 388 Atlantic Avenue, BrooklynDrawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.
Fridays As In Murder: Women, Violence & Genre Formulas
Brooklyn Commons 388 Atlantic Avenue, BrooklynDrawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.
Fridays As In Murder: Women, Violence & Genre Formulas
Brooklyn Commons 388 Atlantic Avenue, BrooklynDrawing upon the potentials of film noir’s formula of restlessness, dread, and discontent within social corruption, women novelists wrote of threats to the domestic sphere and American society emerging as the global hegemon. Women writers explored crime and violence resulting from the racism and class exploitation while some male authors began writing of more complicated women.
Marx at 200: Capital, Class and More
On-Line via Zoom You will receive Zoom link by email before the event., NYIn the regions outside Western Europe, Marx found important revolutionary possibilities among peasants and their ancient communistic social structures, even as these are being undermined by their formal subsumption under the rule of capital. In his last published text, he envisions an alliance between these non-working-class strata and the Western European working class.
Class, Race & Gender
On-Line via Zoom You will receive Zoom link by email before the event., NYThis class will be the first in an ongoing series that explore questions of the relationship between class, race, gender and sexuality and how we overcome the divide between those exploited by capitalism and create a genuine anti-capitalist movement of liberation for all.
Class, Race & Gender
On-Line via Zoom You will receive Zoom link by email before the event., NYThis class will be the first in an ongoing series that explore questions of the relationship between class, race, gender and sexuality and how we overcome the divide between those exploited by capitalism and create a genuine anti-capitalist movement of liberation for all.
Class, Race & Gender
On-Line via Zoom You will receive Zoom link by email before the event., NYThis class will be the first in an ongoing series that explore questions of the relationship between class, race, gender and sexuality and how we overcome the divide between those exploited by capitalism and create a genuine anti-capitalist movement of liberation for all.
Class, Race & Gender
On-Line via Zoom You will receive Zoom link by email before the event., NYThis class will be the first in an ongoing series that explore questions of the relationship between class, race, gender and sexuality and how we overcome the divide between those exploited by capitalism and create a genuine anti-capitalist movement of liberation for all.
Class, Race & Gender
On-Line via Zoom You will receive Zoom link by email before the event., NYThis class will be the first in an ongoing series that explore questions of the relationship between class, race, gender and sexuality and how we overcome the divide between those exploited by capitalism and create a genuine anti-capitalist movement of liberation for all.
Class, Race & Gender
On-Line via Zoom You will receive Zoom link by email before the event., NYThis class will be the first in an ongoing series that explore questions of the relationship between class, race, gender and sexuality and how we overcome the divide between those exploited by capitalism and create a genuine anti-capitalist movement of liberation for all.
Use: A Users’ Manual
...we approach the various ways that “use” enters into and exercises power within our lexicon, performances, and politics. From commonplace phrases like “what’s the use?” and “make yourself useful!” to the Marx’s explication of a commodity’s use value, the language of use pops up in far flung and sometimes unexpected spheres. How do we delineate the useful and the useless, the usual and the unusual?