February 2021
Heterodox Socialism: Michael Brie, Jean-Numa Ducange, Kieran Durkin
Author Jean-Numa Ducange, and editors Michael Brie and Kieran Durkin present on editions they have put together on Jules Guesde, Rosa Luxemburg and Raya Dunayevskaya.
Find out more »The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution
The story of the Benin Bronzes — carried off by the British in 1897 — sits at the heart of a heated debate about cultural restitution, repatriation and the decolonization of museums. In “The Brutish Museums”, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
Find out more »The Sinking Middle Class with David Roediger
Roediger demonstrates that an obsession with a “middle class” is relatively new in US politics, starting with Bill Clinton's attempt to win back the so-called Reagan Democrats. The efforts by the corporatist wing of the Democratic Party remain marked by covert appeals to white racism and the avoidance of wealth redistribution.
Find out more »Towards a Revolution in Labor History: White Supremacism and Bourgeois Social Control
Why is the US working class unorganized and suffering to a far greater extent than in other advanced capitalist societies?
Find out more »Reinventing the Welfare State: Book + talk special
With positivity and rigor, Ursula Huws will outline a ‘digital welfare state’ for the 21st century, which would involve a repurposing of online platform technologies under public control to modernise and expand public services, and improve accessibility.
Find out more »March 2021
Black Reconstruction in America by W.E.B. Du Bois
Black Reconstruction provides a basis for a much overdue revolution in US labor history. As Du Bois so eloquently and bluntly put in in 1935: “The South, after the war, presented the greatest opportunity for a real national labor movement which the nation ever saw or is likely to see again for many decades. Yet, the labor movement, with but few exceptions, never realized the situation. It never had the intelligence or knowledge, as a whole, to see in black slavery and Reconstruction, the kernel and meaning of the labor movement in the United States.”
Find out more »Empire’s Endgame: Pluto FireWorks series book + talk special
Bringing to the fore broad political and economic contexts, the authors trace ways in which empire’s legacies have been reshaped by global capitalism, the digital environment and instability in the nation-state. Engaging with Black Lives Matter and Rhodes Must Fall movements, Empire's Endgame offers an original perspective on race, media, the state and criminalisation, and a political vision that includes — rather than expels — in the face of crisis.
Find out more »Working Class Cinema in the Age of Digital Capitalism
Why does the story of cinema begin with the end of work? Is it because, as has been suggested, it is impossible to represent work from the perspective of labor but only from the point of view of capital, because the revolutionary horizon of the working class coincides with the end of work? After all, the early revolutionary art avant-garde had an ambiguous relationship with capitalism: it provided both a critique of commodification while also reproducing the commodity form.
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