BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Marxist Education Project - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Marxist Education Project
X-ORIGINAL-URL:https://marxedproject.org
X-WR-CALDESC:Events for Marxist Education Project
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Halifax
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20200308T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20201101T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20210314T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20211107T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20220313T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20221106T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20230312T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20231105T050000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250621T140000
DTEND;TZID=America/New_York:20250621T160000
DTSTAMP:20260430T193334
CREATED:20250512T162452Z
LAST-MODIFIED:20250926T163308Z
UID:10008347-1750514400-1750521600@marxedproject.org
SUMMARY:Through the Lens of Spectacle: Panel 2\, Witness
DESCRIPTION:Yale Working Group on Globalization and Culture\nA video of this June 21\, 2025\, event is available on the MEP’s YouTube channel. \n“The spectacle is the bad dream of modern society in chains\, expressing nothing more than its wish for sleep\,” Guy Debord declared in The Society of the Spectacle (1967): it is “a permanent opium war.” A half-century later\, the specter of the spectacle continues to haunt Marxist cultural studies. Do we still sleep in Debord’s spectacle\, a world of images\, infinitely consumable and reproducible\, devoid of meaning outside the hollow\, homogenous temporality of the commodity? Or have we entered an age where the audience is more appropriately conceived\, not as isolated onlookers\, but as a network of users–with unprecedented access to digital information while subjected to pervasive forms of control and surveillance? Does “a critical theory of the spectacle” still allow us to make sense of shared sensorial flashpoints\, past and present? And what does it mean to be a spectator–to regard\, to look\, to witness? In two linked panels\, the Yale Working Group on Globalization and Culture proposes to track “the worldwide division of spectacular tasks” from lens manufacture to retail logistics\, stadiums to camptowns\, polar expeditions to spring festivals\, as well as revolutionary specters in novels and borders\, assassinations and squares.  \nThe second panel\, “Witness\,” asks how various spectral presences–of memory\, rebellion\, interiority\, history–demand us to account for spectacle’s reversals\, negations\, and reenactments in mass protests and counter-spectacles. Is the society of the spectacle necessarily also one of bearing witness?  In “Delineating Specters\,” Javier Porras Madero considers how the conjuration and nationalization of specters deepened the contradictions of border formation in the decades following the Mexican Revolution. In “Spectacles of Sympathy\,” Morgan E. Freeman analyzes human interest stories produced in the age of polar exploration to consider this genre as a vehicle for mythologies of the bourgeoisie. In “Spectacular Reversal\,” Damanpreet Pelia reflects on the spectacle of political violence by tracking the spectral presence of the bāz (from the Persian for hawk) in the assassination of Prime Minister Indira Gandhi by Satwant Singh and Beant Singh in 1984. In “The Spectacle of the Mass Demonstration\,” Michael Denning reflects on Marx’s account of mass demonstrations and universal suffrage in the wake of a decade of occupations: citizens in the streets and elected populists as the religion of everyday life. In “Detouring the US Military Camptown\,” Madeleine Han explores tourism as memory work toward remembering the US military’s legacy and ongoing occupation of Korea. \nThe Yale Working Group on Globalization and Culture is an interdisciplinary cultural studies research collective that has been practicing at Yale University since 2003. Over the years\, we have presented our work at the Left Forum\, Historical Materialism\, the Marxist Education Project\, Occupy Boston\, and the World Social Forum. Past projects have appeared as “Going into Debt\,” online in Social Text‘s Periscope\, and as “Spaces and Times of Occupation” in Transforming Anthropology; a collective interview regarding “Matters of Life and Death” was published in Revue Française d’Études Américaines. Our current members are: Damanpreet Pelia (doctoral researcher in American Studies; research interests include religion\, sovereignty\, and empire); Henry Zhang (doctoral researcher in English; research focuses on the aesthetics of post-war memory and post-socialist transition in East Asia and its diaspora during the long cold war); Jane Zhang (doctoral researcher in Comparative Literature and Film & Media Studies; research focuses on the intersecting history of medicine\, consumer culture\, and notions of selfhood); Javier Porras Madero (doctoral researcher in Latin American history; research focuses on revolution and border formation); Jess Cruz (doctoral researcher in History; research focuses on the history of Miami\, Florida as a center for the Latin American Right across the 1980s-1990s); Madeleine Han (doctoral researcher in American Studies; research focuses on US militarism\, cold war cultures\, and overlapping imperialisms in Asia); Michael Denning (professor of American Studies; research focuses on labor\, critical theory\, and social movements); Morgan E. Freeman (doctoral researcher in American Studies; her research focuses on the contemporary art and visual cultures of Black and Native practitioners as it relates to belonging and place specificity); Sofia Cutler (doctoral researcher in American Studies; research traces the cultural and political history of last-mile delivery–or the last-leg of a product’s long journey across supply chains to a customer’s front door; and Suvij Sudershan (doctoral researcher in English and Film; research focuses on 19th and 20th century global anglophone\, francophone\, and South Asian vernacular literature\, the development of the novel\, ideas of realism and modernism\, and the depiction of peasant revolt and rural modernization).
URL:https://marxedproject.org/event/yale-wggc-2025-2/
LOCATION:Recording available on YouTube
CATEGORIES:Alienation,American Imperialism,Art and politics,Asia,Colonialism,Critical Theory,Cultural Resistance,featured,Globalization,Imperialism,Marxisms,Modernity,Political Economy,Seminars and Talks,Spring 25,Urbanism,Video Available
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2025/05/spectacle-denning-crop2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250615T140000
DTEND;TZID=America/New_York:20250615T160000
DTSTAMP:20260430T193334
CREATED:20250512T162306Z
LAST-MODIFIED:20250926T162901Z
UID:10008346-1749996000-1750003200@marxedproject.org
SUMMARY:Through the Lens of Spectacle: Panel 1\, Oversight
DESCRIPTION:Yale Working Group on Globalization and Culture\nA video of this June 15\, 2025\, event is available on the MEP’s YouTube channel. \n“The spectacle is the bad dream of modern society in chains\, expressing nothing more than its wish for sleep\,” Guy Debord declared in The Society of the Spectacle (1967): it is “a permanent opium war.” A half-century later\, the specter of the spectacle continues to haunt Marxist cultural studies. Do we still sleep in Debord’s spectacle\, a world of images\, infinitely consumable and reproducible\, devoid of meaning outside the hollow\, homogenous temporality of the commodity? Or have we entered an age where the audience is more appropriately conceived\, not as isolated onlookers\, but as a network of users–with unprecedented access to digital information while subjected to pervasive forms of control and surveillance? Does “a critical theory of the spectacle” still allow us to make sense of shared sensorial flashpoints\, past and present? And what does it mean to be a spectator–to regard\, to look\, to witness? In two linked panels\, the Yale Working Group on Globalization and Culture proposes to track “the worldwide division of spectacular tasks” from lens manufacture to retail logistics\, stadiums to camptowns\, polar expeditions to spring festivals\, as well as revolutionary specters in novels and borders\, assassinations and squares.  \nThe first panel\, “Oversight\,” considers the dual meanings of oversight: as surveillance – “watching over” – and as that which is missed – “overlooked.” In “That Superficial\, Theatric Sense\,” Suvij Sudershan opens by exploring the resonances of spectacle and speculation in reflections on revolutions from Edmund Burke to Lukács. In “Roving Eyes: The Stereoscopic Vision of War\,” Jane Zhang examines the production and marketing of optical lens to offer an alternative history of stereoscopic vision. In a pre-history of our contemporary era of Amazon last-mile delivery and e-commerce\, “From Errand to Spectacle\,” Sofia Cutler follows the delivery drivers who serviced elite white women shopping at early 20th-century department stores to show how their labor transformed shopping. In “Vita Contemplativa: Beijing Coma and China’s Modern Constitution\,” Henry Zhang explores Ma Jian’s anatomy of the student movement and its aftermath. In “Arenas of Conflict” Jess Cruz traces the unexpected uses of Miami’s stadiums and their links to the city’s multigenerational devotion to anti-communism and transnational right-wing politics. \nThe Yale Working Group on Globalization and Culture is an interdisciplinary cultural studies research collective that has been practicing at Yale University since 2003. Over the years\, we have presented our work at the Left Forum\, Historical Materialism\, the Marxist Education Project\, Occupy Boston\, and the World Social Forum. Past projects have appeared as “Going into Debt\,” online in Social Text‘s Periscope\, and as “Spaces and Times of Occupation” in Transforming Anthropology; a collective interview regarding “Matters of Life and Death” was published in Revue Française d’Études Américaines. Our current members are: Damanpreet Pelia (doctoral researcher in American Studies; research interests include religion\, sovereignty\, and empire); Henry Zhang (doctoral researcher in English; research focuses on the aesthetics of post-war memory and post-socialist transition in East Asia and its diaspora during the long cold war); Jane Zhang (doctoral researcher in Comparative Literature and Film & Media Studies; research focuses on the intersecting history of medicine\, consumer culture\, and notions of selfhood); Javier Porras Madero (doctoral researcher in Latin American history; research focuses on revolution and border formation); Jess Cruz (doctoral researcher in History; research focuses on the history of Miami\, Florida as a center for the Latin American Right across the 1980s-1990s); Madeleine Han (doctoral researcher in American Studies; research focuses on US militarism\, cold war cultures\, and overlapping imperialisms in Asia); Michael Denning (professor of American Studies; research focuses on labor\, critical theory\, and social movements); Morgan E. Freeman (doctoral researcher in American Studies; her research focuses on the contemporary art and visual cultures of Black and Native practitioners as it relates to belonging and place specificity); Sofia Cutler (doctoral researcher in American Studies; research traces the cultural and political history of last-mile delivery–or the last-leg of a product’s long journey across supply chains to a customer’s front door; and Suvij Sudershan (doctoral researcher in English and Film; research focuses on 19th and 20th century global anglophone\, francophone\, and South Asian vernacular literature\, the development of the novel\, ideas of realism and modernism\, and the depiction of peasant revolt and rural modernization).
URL:https://marxedproject.org/event/yale-wggc-2025-1/
LOCATION:Recording available on YouTube
CATEGORIES:Alienation,American Imperialism,Art and politics,Asia,Colonialism,Critical Theory,Cultural Resistance,featured,Globalization,Imperialism,Marxisms,Modernity,Political Economy,Seminars and Talks,Spring 25,Urbanism,Video Available
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2025/05/spectacle-denning-crop.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250523T190000
DTEND;TZID=America/New_York:20250523T203000
DTSTAMP:20260430T193334
CREATED:20250415T151936Z
LAST-MODIFIED:20250519T200718Z
UID:10008337-1748026800-1748032200@marxedproject.org
SUMMARY:Darkest Los Angeles
DESCRIPTION:Film Noir\, Greed\, and Corporate Graft in LaLa Land\nA five-session reading group with novelist and scholar Dennis Broe\, presented by the Institute for the Radical Imagination and co-sponsored by the MEP\, LA Progressive and People’s World\nOrson Welles once called Los Angeles “a bright\, guilty place\,” and that is as true today as it was in the 1940s when Welles coined this description. Dennis Broe leads a group reading of his five Los Angeles novels* set in the film-noir period of the late 1940s and early 1950s. The contradictions we will unearth in that postwar period\, the period of crime films that visually documented this seedy reality\, have never been resolved\, only continually papered over\, and so they resound today. We will look at five industries and moments in this period with a view toward explaining how the postwar period set the tone for what was to follow\, leading to the present era of a vast income disparity and frequent “natural\,” though totally avoidable\, disasters. \n*The novels – Left of Eden\, A Hello to Arms\, The Precinct with the Golden Arm\, The House That Buff Built\, and The Dark Ages – are detailed in this syllabus. They are available from various online booksellers. \nDennis Broe is a professor\, journalist and novelist whose books include: Film Noir\, American Workers and Postwar Hollywood; Class\, Crime and International Film Noir: Globalizing America’s Dark Art; and Cold War Expressionism: Perverting the Politics of Perception. He has taught at The Sorbonne and is the Parisian correspondent for Arts Express on The Pacifica Network. Dennis also writes for LA Progressive\, People’s World\, Crime Time\, Culture Matters\, the British daily Morning Star and Monthly Review Online. His series of five novels is continuing with his latest\, Pornocopia\, about the corporate takeover of Las Vegas and the porn industry. Dennis has also just launched a new podcast\, Culture and Barbarism\, with Toby Miller. \nRegister for this class series at the Institute for the Radical Imagination
URL:https://marxedproject.org/event/darkest-los-angeles/
LOCATION:Institute for the Radical Imagination\, NY\, United States
CATEGORIES:Alienation,American Literature,Anti-fascism,Art and politics,Capital vs. Labor,Cultural Resistance,Film and television,History,Literature,Multi-session Classes,Noir Fiction,Race and Class,Radical Literature,Reading Group,Repression,Spring 25,Urbanism
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2025/03/darkestLA-image2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250215T140000
DTEND;TZID=America/New_York:20250215T153000
DTSTAMP:20260430T193334
CREATED:20250131T122259Z
LAST-MODIFIED:20250221T170638Z
UID:10008332-1739628000-1739633400@marxedproject.org
SUMMARY:LA Is Burning with Dennis Broe
DESCRIPTION:A recording of this February 15\, 2025\, event is available on our YouTube channel. \nPoliticians are blaming the destruction and loss of life in the Los Angeles wildfires on each other\, but the truth is the fires are the result of not even years or decades but centuries of neglect. Dennis Broe examines this history and sheds light on the ingrained power\, the structural class and racial imbalances\, and the wanton devastation of a city organized not for its people but for its elites. Using Mike Davis’s classic Ecology of Fear as a blueprint\, Broe will put the still smoldering fires in context by looking at five areas: the geological long durée of a land of fires\, earthquakes\, tornados and mudslides; the ecological relationship of the fires to ever more intense global warming; the neoliberal moment of the deterioration of the state in its domestic and global dimensions; the region’s sedimented class and racial inequalities (exemplified by the recently devastated African-American community of Altadena); and the altered character of Los Angeles–and especially “Hollywood”–as no longer simply a site of imagined disasters but one that is now all too real. \nDennis Broe\, a journalist\, critic and scholar who has taught at the Sorbonne and spoken at many MEP events\, is the author of many books on film noir\, media\, and television\, including five novels set in Los Angeles in the 1940s and 50s\, the latest of which is The Dark Ages\, about the coming of McCarthyism to Hollywood.
URL:https://marxedproject.org/event/la-is-burning-with-dennis-broe/
LOCATION:Recording available on YouTube
CATEGORIES:_Seasons,Class,Classes/Events,Climate Change,Cultural Resistance,Film and television,History,Housing,Media Criticism,Political Economy,Race and Class,Seminars and Talks,Urbanism,US History,Winter 25
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2025/01/Hollywood_sign_fire.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220123T140000
DTEND;TZID=America/Halifax:20220123T160000
DTSTAMP:20260430T193334
CREATED:20211229T171148Z
LAST-MODIFIED:20211229T171148Z
UID:10007032-1642946400-1642953600@marxedproject.org
SUMMARY:Lefebvre / Althusser: Humanist and Anti-Humanist Marxism
DESCRIPTION:Considerations for Opposition to Capital in the 21st Century\nwith Andy Merrifield\nAndy Merrifield has written two significant essays regarding the relationships of the lives and works of Henri Lefebvre and Louis Althusser\, their working together and apart\, both essays being important for conceiving next steps for an internationalist left now more than half a century past the events of 1968 in France and the Hot Autumn of 1969 shortly thereafter in Italy. Links to each essay is below the extracted quotes below. \n \n“LIKE MARX INVERTING HEGEL\, Lefebvre stands mainstream economic and sociological wisdom on its head: ‘we must consider industrialization as a stage of urbanization\,’ he says\, ‘as a moment\, an intermediary\, an instrument. In the double process (industrialization-urbanization)\, after a certain period the latter term becomes dominant\, taking over from the former.’ This is a bold\, provocative statement for any Marxist. For it suggests that the mainstay of the capitalist economy isn’t so much industrialization as urbanization\, that industrialization all along was but a special form of urbanization. Capitalism reigns\, Lefebvre says\, because it now manages and manufactures a very special commodity: urban space itself — an abundant source of surplus value as well as a massive means of production\, both a launch pad and rocket in a stratospheric global market.” —Andy Merrifield\, https://mronline.org/2021/03/28/lefebvre-in-the-age-of-covid/ \n“LEFEBVRE’S AND ALTHUSSER’S WORK OVER THAT DECADE [1970s]\, from differing tried to valorize for the Left a capitalist state in crisis. Could a unified Left leverage state power away from a disgruntled Right? Could it do so in the streets\, in the factories\, and through the ballot box? Could forces within the state be modified by organized pressure from the outside? Could pressure from the outside not only transform the inside but actually become that inside? ‘Ons’engage\,’ Althusser used to say\, ‘et puis on voit.’ And yet\, after engaging\, after jumping into the fray\, what one saw was a dramatic power shift\, a transition and renewal in the reverse direction. It was the Right who got its act together\, who closed ranks\, whose class power ‘condensed\,’ just as the Left’s fell apart\, as its unity fractured into disunity.” —Andy Merrifield\, https://mronline.org/2021/06/13/lefebvre-and-althusser-reinterpreting-marxist-humanism-and-anti-humanism/ \n“Dialectical Urbanism shows a fruitful direction for the Marxism of the future. Exploring the collision between abstract capitalist space and concrete human place\, Andy Merrifield offers a fresh vision of the totality of modern life.”   —Marshall Berman\, City University of New York \n“Exceptionally well written\, informative insightful\, thoughtful and thought-provoking\, Marx\, Dead and Alive: Reading Capital in Precarious Times is an extraordinary study and one that should be a part of every community\, college\, and university library Contemporary Political Science and Theory collection.”       —Midwest Book Review \nAndy Merrifield is an independent scholar and the author of numerous books including his most recent Marx Dead and Alive (2020)\, of which his presentation with The MEP last year was one of our highlight events. His other books include Dialectical Urbanism (Monthly Review\, 2002)\, Magical Marxism (Pluto Press\, 2011)\, The Amateur (Verso Books\, 2018)\, and What We Talk About When We Talk About Cities (and Love) (OR Books\, 2018). \n  \nAll events are sliding scale—choose the level at which you are able to contribute to The Marxist Education Project. No one is denied admission to any event or class because of an inability to pay. Email info@marxedproject.org to obtain an entry URL to any event or class presented by The Marxist Education Project.\n 
URL:https://marxedproject.org/event/lefebvre-althusser-humanist-and-anti-humanist-marxism/
LOCATION:United States
CATEGORIES:Capital Studies,Capital vs. Labor,Classes/Events,Critical Theory,Emancipation,Political Economy,Seminars and Talks,Social Reproduction,Urbanism
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/12/LefebvreAlthusserBanner.jpg
ORGANIZER;CN="The Revolutions Study Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220108T140000
DTEND;TZID=America/Halifax:20220108T160000
DTSTAMP:20260430T193334
CREATED:20211208T002331Z
LAST-MODIFIED:20211209T041332Z
UID:10007026-1641650400-1641657600@marxedproject.org
SUMMARY:A People’s History of Detroit
DESCRIPTION:with authors Mark Jay and Philip Conklin\n \nRecent bouts of gentrification and investment in Detroit have led some to call it the greatest turnaround story in American history. Meanwhile\, activists point to the city’s cuts to public services\, water shutoffs\, mass foreclosures\, and violent police raids. In A People’s History of Detroit\, Mark Jay and Philip Conklin use a class framework to tell a sweeping story of Detroit from 1913 to the present\, embedding Motown’s history in a global economic context. Attending to the struggle between corporate elites and radical working-class organizations\, Jay and Conklin outline the complex sociopolitical dynamics underlying major events in Detroit’s past\, from the rise of Fordism and the formation of labor unions\, to deindustrialization and the city’s recent bankruptcy. They demonstrate that Detroit’s history is not a tale of two cities—one of wealth and development and another racked by poverty and racial violence; rather it is the story of a single Detroit that operates according to capitalism’s mandates. \n“Jay and Conklin work backward before working forward. The authors first offer a people’s history of Detroit’s present\, subverting chronology to read the resurgence narrative of Detroit against the grain and reveal the erasure of Black Detroit via the myth of Detroit’s ‘Golden Age’ in the ’30s\, ’40s\, and ’50s. This allows them\, and therefore us\, to understand the systemic problems facing contemporary Detroit first\, and then uncover their prehistory second\, instead of the other way around.” — Hannah Zeavin\, Los Angeles Review of Books \n\nhttps://lareviewofbooks.org/contributor/hannah-zeavin/ \n\n\n“Equal parts an urban history of a single city and a sweeping theory of capitalism. . . . Through a detailed exposition of one city’s past\,A People’s History of Detroitimagines what a people’s future could look like in Detroit—and in other cities.” — David Helps\, Public Books \n\nMark Jay received his PhD in sociology from the University of California\, Santa Barbara.\nPhilip Conklin is a PhD student in the History of Consciousness at the University of California\, Santa Cruz.\nThey are coeditors of the literary and political magazine The Periphery. \n  \n  \nBOOKS AVAILABLE\nDUKE UNIVERSITY PRESS\ndukeupress.edu\n320 PAGES / 17 ILLUSTRATIONS\norder the book with this discount code: E20HSTRY \n 
URL:https://marxedproject.org/event/a-peoples-history-of-detroit/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Accumulation of Capital,Austerity,Capital Studies,Capital vs. Labor,Classes/Events,Financialization,Fordism,Globalization,historical materialism,Housing,Labor History,Labor Organizing,Labor Process,Marx's Capital,Marxist Method,Modernity,Organizing,Political Economy,Race and Class,Science and Technology,Seminars and Talks,Urbanism,Working Class History
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2021/12/Detroit_1942.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211016T140000
DTEND;TZID=America/Halifax:20211016T160000
DTSTAMP:20260430T193334
CREATED:20210904T223026Z
LAST-MODIFIED:20210904T223026Z
UID:10006240-1634392800-1634400000@marxedproject.org
SUMMARY:Catastrophe and Systemic Change: Learning from the Grenfell Tower Fire and Other Disasters
DESCRIPTION:a presentation by Gill Kernick\nintroduced by Thomas Wensing\nThe GRENFELL TOWER TRAGEDY was the worst residential fire in London since World War II. It killed 72 people in the richest borough of one of the wealthiest countries in the world. Like other catastrophic events before it and since\, it has the power to bring aboutlasting change. But will it? The historical evidence is weighed against ‘lessons being learnt’ in a meaningful or enduring way. In an attempt to understand why\, despite enormous efforts\, we persistently fail to learn from catastrophic events\, the book Catastrophe and Systemic Change uses the details of the Grenfell fire as a case study to consider why we don’t learn and what it takes to enable real systemic change. The book explores the myths\, key challenges and the conditions that inhibit learning\, and it identifies opportunities to positively disrupt the status quo. \nAuthor Gill Kernick will present her powerful analysis of the Grenfell disaster and its aftermath. The recent fire of a tower block is a sharp reminder that there are many residential structures both in the UK and mainland Europe that feature similar hazardous cladding systems which urgently need to be replaced. \nGill Kernick will be introduced by Thomas Wensing who will present a short introduction on the history of social housing in the United Kingdom to familiarize the audience with an idea of the policy context which engendered the conditions in which the Grenfelldisaster took place. \nGILL KERNICK is an internationally experienced strategic consultant specializing in safety\, culture and leadership. She lived on the twenty-first floor of Grenfell Tower from 2011 to 2014. \nTHOMAS WENSING is an architect with 20 years of experience in residential architecture. He teaches a housing studio at Kean University in New Jersey this fall and is a regular contributor to the Marxist Education Project. \n\nhttps://www.theguardian.com/world/2021/aug/30/milan-mayor-likens-tower-block-fire-to-grenfell-disaster \nCredits for main (building) image:\nBy Natalie Oxford – https://twitter.com/Natalie_Oxford/status/874835244989513729/photo/1\, CC BY 4.0\, https://commons.wikimedia.org/w/index.php?curid=59913134\nAll events are sliding scale—choose the level at which you choose to contribute to The Marxist Education Project. No one is denied admission to any event or class because of an inability to pay. Send an email to info@marxedproject.org to obtain an entry url to any event or class presented by The Marxist Education Project. \n 
URL:https://marxedproject.org/event/catastrophe-and-systemic-change-learning-from-the-grenfell-tower-fire-and-other-disasters/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Climate Change,Housing,Seminars and Talks,Urbanism
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/09/CatastropheSystemicChangeSMedjpg.jpg
END:VEVENT
END:VCALENDAR