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DTSTART;TZID=America/New_York:20251218T183000
DTEND;TZID=America/New_York:20251218T200000
DTSTAMP:20260416T231620
CREATED:20250902T213649Z
LAST-MODIFIED:20251212T183931Z
UID:10008364-1766082600-1766088000@marxedproject.org
SUMMARY:Reading 'Karl Marx in America'
DESCRIPTION:An eight-week study of Andrew Hartman’s recently published Karl Marx in America.  To read Karl Marx is to contemplate a world created by capitalism. People have long viewed the United States as the quintessential anti-Marxist nation\, but Marx’s ideas have inspired a wide range of people to formulate a more precise sense of the stakes of the American project. Historians have highlighted the imprint made on the United States by Enlightenment thinkers such as Adam Smith\, John Locke\, and Thomas Paine. Marx is rarely considered alongside these figures\, yet his ideas are the most relevant today because of capitalism’s centrality to American life. Karl Marx in America argues that even though Marx never visited America\, the country has been infused\, shaped\, and transformed by him. \nFacilitated by David Worley\, a member of the executive committee of the Marxist Education Project and a longtime associate of the Brecht Forum\, where he served a term as co-chair of the Board of Directors. David is a nonsectarian socialist\, active since the 1960s in support of a wide range of peace and social justice causes.
URL:https://marxedproject.org/event/reading-karl-marx-in-america/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Civil War,Fall 25,historical materialism,Housing,Intro to Marxism,Labor History,Marx,Marxisms,Political Economy,Political Strategy,Race and Class,Reading Group,Seminars and Talks,Social Democracy,Socialism,US History,Working Class History
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250215T140000
DTEND;TZID=America/New_York:20250215T153000
DTSTAMP:20260416T231620
CREATED:20250131T122259Z
LAST-MODIFIED:20250221T170638Z
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SUMMARY:LA Is Burning with Dennis Broe
DESCRIPTION:A recording of this February 15\, 2025\, event is available on our YouTube channel. \nPoliticians are blaming the destruction and loss of life in the Los Angeles wildfires on each other\, but the truth is the fires are the result of not even years or decades but centuries of neglect. Dennis Broe examines this history and sheds light on the ingrained power\, the structural class and racial imbalances\, and the wanton devastation of a city organized not for its people but for its elites. Using Mike Davis’s classic Ecology of Fear as a blueprint\, Broe will put the still smoldering fires in context by looking at five areas: the geological long durée of a land of fires\, earthquakes\, tornados and mudslides; the ecological relationship of the fires to ever more intense global warming; the neoliberal moment of the deterioration of the state in its domestic and global dimensions; the region’s sedimented class and racial inequalities (exemplified by the recently devastated African-American community of Altadena); and the altered character of Los Angeles–and especially “Hollywood”–as no longer simply a site of imagined disasters but one that is now all too real. \nDennis Broe\, a journalist\, critic and scholar who has taught at the Sorbonne and spoken at many MEP events\, is the author of many books on film noir\, media\, and television\, including five novels set in Los Angeles in the 1940s and 50s\, the latest of which is The Dark Ages\, about the coming of McCarthyism to Hollywood.
URL:https://marxedproject.org/event/la-is-burning-with-dennis-broe/
LOCATION:Recording available on YouTube
CATEGORIES:_Seasons,Class,Classes/Events,Climate Change,Cultural Resistance,Film and television,History,Housing,Media Criticism,Political Economy,Race and Class,Seminars and Talks,Urbanism,US History,Winter 25
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2025/01/Hollywood_sign_fire.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20220108T140000
DTEND;TZID=America/Halifax:20220108T160000
DTSTAMP:20260416T231620
CREATED:20211208T002331Z
LAST-MODIFIED:20211209T041332Z
UID:10007026-1641650400-1641657600@marxedproject.org
SUMMARY:A People’s History of Detroit
DESCRIPTION:with authors Mark Jay and Philip Conklin\n \nRecent bouts of gentrification and investment in Detroit have led some to call it the greatest turnaround story in American history. Meanwhile\, activists point to the city’s cuts to public services\, water shutoffs\, mass foreclosures\, and violent police raids. In A People’s History of Detroit\, Mark Jay and Philip Conklin use a class framework to tell a sweeping story of Detroit from 1913 to the present\, embedding Motown’s history in a global economic context. Attending to the struggle between corporate elites and radical working-class organizations\, Jay and Conklin outline the complex sociopolitical dynamics underlying major events in Detroit’s past\, from the rise of Fordism and the formation of labor unions\, to deindustrialization and the city’s recent bankruptcy. They demonstrate that Detroit’s history is not a tale of two cities—one of wealth and development and another racked by poverty and racial violence; rather it is the story of a single Detroit that operates according to capitalism’s mandates. \n“Jay and Conklin work backward before working forward. The authors first offer a people’s history of Detroit’s present\, subverting chronology to read the resurgence narrative of Detroit against the grain and reveal the erasure of Black Detroit via the myth of Detroit’s ‘Golden Age’ in the ’30s\, ’40s\, and ’50s. This allows them\, and therefore us\, to understand the systemic problems facing contemporary Detroit first\, and then uncover their prehistory second\, instead of the other way around.” — Hannah Zeavin\, Los Angeles Review of Books \n\nhttps://lareviewofbooks.org/contributor/hannah-zeavin/ \n\n\n“Equal parts an urban history of a single city and a sweeping theory of capitalism. . . . Through a detailed exposition of one city’s past\,A People’s History of Detroitimagines what a people’s future could look like in Detroit—and in other cities.” — David Helps\, Public Books \n\nMark Jay received his PhD in sociology from the University of California\, Santa Barbara.\nPhilip Conklin is a PhD student in the History of Consciousness at the University of California\, Santa Cruz.\nThey are coeditors of the literary and political magazine The Periphery. \n  \n  \nBOOKS AVAILABLE\nDUKE UNIVERSITY PRESS\ndukeupress.edu\n320 PAGES / 17 ILLUSTRATIONS\norder the book with this discount code: E20HSTRY \n 
URL:https://marxedproject.org/event/a-peoples-history-of-detroit/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Accumulation of Capital,Austerity,Capital Studies,Capital vs. Labor,Classes/Events,Financialization,Fordism,Globalization,historical materialism,Housing,Labor History,Labor Organizing,Labor Process,Marx's Capital,Marxist Method,Modernity,Organizing,Political Economy,Race and Class,Science and Technology,Seminars and Talks,Urbanism,Working Class History
ATTACH;FMTTYPE=image/png:https://marxedproject.org/wp-content/uploads/2021/12/Detroit_1942.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211116T173000
DTEND;TZID=America/Halifax:20211116T193000
DTSTAMP:20260416T231620
CREATED:20210812T210619Z
LAST-MODIFIED:20211112T023155Z
UID:10006989-1637083800-1637091000@marxedproject.org
SUMMARY:New York City and the Experience of Modernity\, Fall session
DESCRIPTION:An eight week series featuring visual and oral presentations along with discussions each week. Please note that this will be on Tuesdays\, not Fridays. TWO MORE WEEKS \nConvened by Thomas Wensing\nIn the year 1877\, the signals were given for the rest of the century; the black would be put back; the strikes of white workers would not be tolerated; the industrial and political elites of North and South would take hold of the country and organize the greatest march of economic growth in human history. They would do it with the aid of\, and at the expense of\, black labor\, white labor\, Chinese labor\, European immigrant labor\, female labor\, rewarding them differently by race\, sex\, national origin\, and social class\, in such a way as to create separate levels of oppression – a skillful terracing to stabilize the pyramid of wealth”[1] \nThis is a seminar about New York City and its people. It is not a study of architectural styles and objects\, – although the physical stuff of cities does play a role -\, but it is a course about the experience of the way in which modernity builds and destroys cities. In the previous course we saw how the idea of modernity originated in eighteenth-century Western Europe during the Age of Enlightenment. In this course we explore how modernity is not only an expression of the constellation of forces that builds modern societies\, but from the onset has been an exclusionary project along racial\, gender and class lines. \nEurope produced\, in the words of Stuart Hall\, a cultural identity which portrayed Europe as a distinct\, unique and triumphant civilization[2]. The construction of otherness within the dominant European culture itself\, and in relation to the exploration and conquest of the Americas\, formed the pretext for native displacement and genocide\, environmental exploitation and extractivism\, oppression and slavery. These discourses of “self” and “otherness” are\, of course\, inextricably interwoven with the history of New York City\, and have always been contested. \nThis semester turns to the late 19th and 20th century and focuses on the way in which the building of New York City took place in an arena of contesting political\, cultural and economic forces; that of the dominant\, patriarchal\, Anglo-Saxon\, male\, capitalist culture on one side\, and that of the excluded social groups on the other. We will look at various groups\, whether it be socialist\, communist\, feminist\, black\, or queer\, which questioned the ‘centeredness’ of the West\, – and the structures of oppression it built -\, and which thus argued for the project of Reason and liberal democracy to be expanded and fulfil its promise. \nWriters and novelists have been able to direct the gaze at these groups which have been excluded from the path of progress\, – as it was defined and constricted by society – to express diverging meanings to life in the metropolis. Theirs were often minority views\, but in expressing them\, they were able to carve out space for the ‘other’\, and they have expanded the conversation and imagination in indelible ways. A question which looms large in this seminar is the relationship between individual agency and collective action. The seminar encourages the expression of personal\, familial\, local\, and ethnic explorations and to tie these to larger societal trends. [3] The participants will be presented with multiple views of the same topic; one drawn from the professional literature\, – either historical\, architectural\, sociological\, or drawn from literary studies -\, and one from fiction or biography. Two points of view are compared: that of sociologists\, urban planners\, geographers\, and architects\, with that of the subjective vantage point of the biographical account or the fictional character. \nWeekly Lectures and Bibliography: \nEach week consists of readings\, one lecture class and one group discussion\, preceded by a 20-minute introduction on the topic. \n[1] Zinn\, Howard. A People’s History of the United States: 1492 – Present. New York\, NY: HarperCollins\, 2008\, p.253. \n[2] Hall\, Stuart. “Introduction.” Essay. In Modernity: An Introduction to Modern Societies\, edited by Stuart Hall\, David Held\, Don Hubert\, and Kenneth Thompson\, 7. Malden\, Mass: Blackwell\, 2011. \n[3] I refer here to Berman\, Marshall\, All That Is Solid Melts into Air – The Experience of Modernity\, Simon & Shuster\, New York\, 1982\, Verso\, London\, Brooklyn\, 2010\, p.346-347. \n  \nEach week consists of readings\, one lecture class and one group discussion\, preceded by a 20-minute introduction on the topic. \n 
URL:https://marxedproject.org/event/new-york-city-and-the-experience-of-modernity-fall-session/2021-11-16/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Classes/Events,Emancipation,Financialization,Hegemony,historical materialism,Housing,Literary Studies,Marx's Capital,Migration,Modernity,Multi-session Classes,Seminars and Talks,Working Class History
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/08/JohnVachon_Harlem1949.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20211016T140000
DTEND;TZID=America/Halifax:20211016T160000
DTSTAMP:20260416T231620
CREATED:20210904T223026Z
LAST-MODIFIED:20210904T223026Z
UID:10006240-1634392800-1634400000@marxedproject.org
SUMMARY:Catastrophe and Systemic Change: Learning from the Grenfell Tower Fire and Other Disasters
DESCRIPTION:a presentation by Gill Kernick\nintroduced by Thomas Wensing\nThe GRENFELL TOWER TRAGEDY was the worst residential fire in London since World War II. It killed 72 people in the richest borough of one of the wealthiest countries in the world. Like other catastrophic events before it and since\, it has the power to bring aboutlasting change. But will it? The historical evidence is weighed against ‘lessons being learnt’ in a meaningful or enduring way. In an attempt to understand why\, despite enormous efforts\, we persistently fail to learn from catastrophic events\, the book Catastrophe and Systemic Change uses the details of the Grenfell fire as a case study to consider why we don’t learn and what it takes to enable real systemic change. The book explores the myths\, key challenges and the conditions that inhibit learning\, and it identifies opportunities to positively disrupt the status quo. \nAuthor Gill Kernick will present her powerful analysis of the Grenfell disaster and its aftermath. The recent fire of a tower block is a sharp reminder that there are many residential structures both in the UK and mainland Europe that feature similar hazardous cladding systems which urgently need to be replaced. \nGill Kernick will be introduced by Thomas Wensing who will present a short introduction on the history of social housing in the United Kingdom to familiarize the audience with an idea of the policy context which engendered the conditions in which the Grenfelldisaster took place. \nGILL KERNICK is an internationally experienced strategic consultant specializing in safety\, culture and leadership. She lived on the twenty-first floor of Grenfell Tower from 2011 to 2014. \nTHOMAS WENSING is an architect with 20 years of experience in residential architecture. He teaches a housing studio at Kean University in New Jersey this fall and is a regular contributor to the Marxist Education Project. \n\nhttps://www.theguardian.com/world/2021/aug/30/milan-mayor-likens-tower-block-fire-to-grenfell-disaster \nCredits for main (building) image:\nBy Natalie Oxford – https://twitter.com/Natalie_Oxford/status/874835244989513729/photo/1\, CC BY 4.0\, https://commons.wikimedia.org/w/index.php?curid=59913134\nAll events are sliding scale—choose the level at which you choose to contribute to The Marxist Education Project. No one is denied admission to any event or class because of an inability to pay. Send an email to info@marxedproject.org to obtain an entry url to any event or class presented by The Marxist Education Project. \n 
URL:https://marxedproject.org/event/catastrophe-and-systemic-change-learning-from-the-grenfell-tower-fire-and-other-disasters/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Classes/Events,Climate Change,Housing,Seminars and Talks,Urbanism
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/09/CatastropheSystemicChangeSMedjpg.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210925T140000
DTEND;TZID=America/Halifax:20210925T160000
DTSTAMP:20260416T231620
CREATED:20210627T042036Z
LAST-MODIFIED:20210815T063619Z
UID:10006976-1632578400-1632585600@marxedproject.org
SUMMARY:Urban Displacements and Contemporary Capitalism
DESCRIPTION:Governing Surplus and Survival in Global Capitalism\nwith author Susanne Soederberg\n \nIn the 1870s\, Friedrich Engels published a series of articles on “The Housing Question\,” wherein he argued that decent\, secure housing for the working class is incompatible with the commodity nature of urban property and human labor power in the capitalist system\, as the movements of capital inevitably will undermine all piecemeal reforms. Soederberg pushes beyond dominant debates by treating low-rent housing as a unique commodity that provides a necessary place for the societal reproduction of labor power while being integrated into the global dynamics of capitalism. She argues that historical and geographical configurations of monetized governance\, including landlords\, employers and inter-scalar state practices\, have served to reproduce urban displacements and obfuscate their gendered\, class and racialized underpinnings. The outcome is the everyday facilitation and normalization of urban poverty and social marginalization on one side\, and capital accumulation on the other.Berlin\, Dublin\, and Vienna are case studies. \n“What is the role of racialised barriers to housing in changing landscapes of accumulation? How does renting become a central process in disuniting working people? This insightful work guides the reader through this most urgent of debates.” —Professor Gargi Bhattacharyya\, Centre for Migration\, Refugees and Belonging\, University of East London \nSusanne Soederberg\, Professor of Political Economy in Global Development Studies at Queen’s University\, Ontario\, Canada\, is also the author of Debtfare States and the Poverty Industry (2014) and Corporate Power and Ownership in Contemporary Capitalism (2010).
URL:https://marxedproject.org/event/urban-displacements-and-contemporary-capitalism/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Accumulation of Capital,African American History,Capital Studies,Class,Class and Gender,Classes/Events,Enclosures,Financialization,Globalization,historical materialism,Housing,Marx's Capital,Political Economy,Race and Class,Revolutions Study Group,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/06/UrbDisplaceSSoederberg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210619T140000
DTEND;TZID=America/Halifax:20210619T160000
DTSTAMP:20260416T231620
CREATED:20210428T034140Z
LAST-MODIFIED:20210617T175015Z
UID:10006218-1624111200-1624118400@marxedproject.org
SUMMARY:Workers’ Inquiry and Global Class Struggle: Strategies\, Tactics\, Objectives
DESCRIPTION:with editor Robert Ovetz and researcher Gifford Hartman\nRumors of the death of the global labor movement have been greatly exaggerated. Rising phoenix-like from the ashes of the old trade union movement\, workers’ struggle is being reborn from below by workers themselves. \nBy engaging in what Karl Marx called a workers’ inquiry\, workers and militant co-researchers are studying their working conditions\, the technical composition of capital\, and how to recompose their own power in order to devise new tactics\, strategies\, organizational forms and objectives. These workers’ inquiries\, from call center workers to platform\, trucking\, cleaning\, logistics\, mining\, auto factories\, teachers\, and adjunct professors\, are re-energizing unions\, bypassing unions altogether or innovating new forms of workers’ organizations. \nIn one of the first major studies to critically assess this new cycle of global working class struggle\, Robert Ovetz collects together case studies from over a dozen contributors\, looking at workers’ movements in China\, Mexico\, the US\, South Africa\, Turkey\, Argentina\, Italy\, India and the UK. The book reveals how these new forms of struggle are no longer limited to single sectors of the economy or contained by state borders\, but are circulating internationally and disrupting the global capitalist system as they do. \nROBERT OVETZ is a Lecturer in Political Science at San Jose State University in California. He is the author of When Workers Shot Back: Class Conflict from 1877 to 1921 (Brill\, 2018 and Haymarket\, 2019) and a member of the editorial board of the Journal of Labor and Society. GIFFORD HARTMAN is a member of the Global Supply Chain Study/Research Group (https://libcom.org/blog/empire-logistics) and is an adult educator\, labor trainer and working class historian. He has helped organize wildcat strikes at his own workplace and training sessions to build working class solidarity worldwide. \nAll events are sliding scale. No one is turned away for inability to pay. Please write to info@marxedproject.org for the url to gain access to this event or any other event or class of The Marxist Education Project. \nThe price of the book includes shipping. This book offer is only good for the US unless you are willing to pay the difference between US Media Mail costs and the cost to mail to the country you want the book shipped to.
URL:https://marxedproject.org/event/workers-inquiry-and-global-class-struggle-strategies-tactics-objectives/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Accumulation of Capital,automation,Capital Studies,Class,Class and Gender,Classes/Events,Emancipation,Financialization,Globalization,Healthcare,Housing,Immigration,Indigenous Peoples,Insurgency,Labor History,Marx's Capital,Marxist Method,Political Economy,Race and Class,Revolutions Study Group,Science and Technology,Seminars and Talks,Social Reproduction,Workers’ Inquiry
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/04/WorkerInquiryBkCvr.jpg
ORGANIZER;CN="Capital Studies Group":MAILTO:info@marxedproject.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210611T173000
DTEND;TZID=America/Halifax:20210611T193000
DTSTAMP:20260416T231620
CREATED:20210402T005720Z
LAST-MODIFIED:20210614T173123Z
UID:10006933-1623432600-1623439800@marxedproject.org
SUMMARY:New York City and the Experience of Modernity
DESCRIPTION:with Thomas Wensing\n2 MORE SESSIONS\nMr. Perry flicked at the burdock leaves with his cane. The real-estate agent was pleading in a singsong voice:\n“I dont mind telling you\, Mr. Perry\, it’s an opportunity not to be missed. […] In six months I can virtually guarantee that these lots will have doubled in value.”\n— Dos Passos\, John; Manhattan Transfer\, Penguin Books\, Inc New York\, 1925\, first penguin books edition 1946\, p.11-12 \n \nThis is a seminar about New York City and its people. It is not a study of architectural styles and objects\, – although the physical stuff of cities does play a role -\, but it is a course about the experience of the way in which modernity builds and destroys cities. \nModernity is a historical force. It is messy. In architecture history modernity is usually narrated as an interplay between the combined forces of the Industrial Revolution and capital\, with social upheaval\, explosive population growth and immigration as its result. The invention of new materials and new technologies stimulated new forms\, structures\, typologies\, and — in the most optimistic accounts — new forms of living. In this formal reading the historian looks at the artefacts produced by these forces as cultural evidence: railway stations\, factories\, powerplants and switching stations\, dams\, canals and railway lines\, skyscrapers\, tenements\, and department stores\, are all comparatively assessed\, but rarely is the subjective experience of these spaces and landscapes considered. \nThe United States traditionally has had a fraught relationship with its cities in both a positive and a negative sense. Urban areas were\, and are\, pictured as alleged dens of vice\, disease\, and social corruption\, while others project utopian aspirations onto the city which are hard to fulfil in the best of circumstances. Even social science\, which intends to accurately describe the effects of economic change on the social fabric\, lacks by nature the discursive framework to communicate the emotive impact of these processes on individual subjects.\n—Walter Siebel; Die Kultur der Stadt\, Suhrkamp Verlag Berlin\, 2015\, 2nd print\, 2016\, p.39-40 Walter Siebel sees literary studies as a necessary complement to the social sciences\, to offer necessary detail to the abstraction of numbers. \nIn this semester the course participants will be presented with multiple views of the same topic; one drawn from the professional literature\, and one from fiction or biography. Two datasets are compared: that of sociologists\, urban planners\, geographers\, and architects\, with that of the subjective vantage point of the biographical account or the fictional character. Writers and novelists have been able to direct the gaze at groups which have been excluded from the path of progress\, – as it was defined and constricted by society – to express diverging meanings to life in the metropolis. Theirs were often minority views\, but in expressing them\, they were able to carve out space for the ‘other’\, and they have expanded the conversation and imagination in indelible ways. A question which looms large in this seminar is the relationship between individual agency and collective action. The seminar encourages the expression of personal\, familial\, local\, and ethnic explorations and to tie these to larger societal trends.\n—Marshall Berman\, All That Is Solid Melts into Air – The Experience of Modernity\, Simon & Shuster\, New York\, 1982\, Verso\, London\, Brooklyn\, 2010\, p.346-347. \nEach week will consist of a visual presentation\, a related lecture with group discussion. \nThomas Wensing is a Dutch architect who teaches architecture and architectural history at Kean University in NJ. He writes regularly on the intersection of architecture and politics. \n5:30 to 7:30 pm US DST • 10:30 pm to 12:30 am (GMT)
URL:https://marxedproject.org/event/new-york-city-and-the-experience-of-modernity-8-week-session/2021-06-11/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Class and Gender,Classes/Events,Ecosocialism,Globalization,historical materialism,Housing,Immigration,Literary Studies,Marx's Capital,Modernity,Political Economy,Race and Class,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/04/Modernity3b_Bing.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210604T173000
DTEND;TZID=America/Halifax:20210604T193000
DTSTAMP:20260416T231620
CREATED:20210402T005720Z
LAST-MODIFIED:20210614T173123Z
UID:10006932-1622827800-1622835000@marxedproject.org
SUMMARY:New York City and the Experience of Modernity
DESCRIPTION:with Thomas Wensing\n2 MORE SESSIONS\nMr. Perry flicked at the burdock leaves with his cane. The real-estate agent was pleading in a singsong voice:\n“I dont mind telling you\, Mr. Perry\, it’s an opportunity not to be missed. […] In six months I can virtually guarantee that these lots will have doubled in value.”\n— Dos Passos\, John; Manhattan Transfer\, Penguin Books\, Inc New York\, 1925\, first penguin books edition 1946\, p.11-12 \n \nThis is a seminar about New York City and its people. It is not a study of architectural styles and objects\, – although the physical stuff of cities does play a role -\, but it is a course about the experience of the way in which modernity builds and destroys cities. \nModernity is a historical force. It is messy. In architecture history modernity is usually narrated as an interplay between the combined forces of the Industrial Revolution and capital\, with social upheaval\, explosive population growth and immigration as its result. The invention of new materials and new technologies stimulated new forms\, structures\, typologies\, and — in the most optimistic accounts — new forms of living. In this formal reading the historian looks at the artefacts produced by these forces as cultural evidence: railway stations\, factories\, powerplants and switching stations\, dams\, canals and railway lines\, skyscrapers\, tenements\, and department stores\, are all comparatively assessed\, but rarely is the subjective experience of these spaces and landscapes considered. \nThe United States traditionally has had a fraught relationship with its cities in both a positive and a negative sense. Urban areas were\, and are\, pictured as alleged dens of vice\, disease\, and social corruption\, while others project utopian aspirations onto the city which are hard to fulfil in the best of circumstances. Even social science\, which intends to accurately describe the effects of economic change on the social fabric\, lacks by nature the discursive framework to communicate the emotive impact of these processes on individual subjects.\n—Walter Siebel; Die Kultur der Stadt\, Suhrkamp Verlag Berlin\, 2015\, 2nd print\, 2016\, p.39-40 Walter Siebel sees literary studies as a necessary complement to the social sciences\, to offer necessary detail to the abstraction of numbers. \nIn this semester the course participants will be presented with multiple views of the same topic; one drawn from the professional literature\, and one from fiction or biography. Two datasets are compared: that of sociologists\, urban planners\, geographers\, and architects\, with that of the subjective vantage point of the biographical account or the fictional character. Writers and novelists have been able to direct the gaze at groups which have been excluded from the path of progress\, – as it was defined and constricted by society – to express diverging meanings to life in the metropolis. Theirs were often minority views\, but in expressing them\, they were able to carve out space for the ‘other’\, and they have expanded the conversation and imagination in indelible ways. A question which looms large in this seminar is the relationship between individual agency and collective action. The seminar encourages the expression of personal\, familial\, local\, and ethnic explorations and to tie these to larger societal trends.\n—Marshall Berman\, All That Is Solid Melts into Air – The Experience of Modernity\, Simon & Shuster\, New York\, 1982\, Verso\, London\, Brooklyn\, 2010\, p.346-347. \nEach week will consist of a visual presentation\, a related lecture with group discussion. \nThomas Wensing is a Dutch architect who teaches architecture and architectural history at Kean University in NJ. He writes regularly on the intersection of architecture and politics. \n5:30 to 7:30 pm US DST • 10:30 pm to 12:30 am (GMT)
URL:https://marxedproject.org/event/new-york-city-and-the-experience-of-modernity-8-week-session/2021-06-04/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Class and Gender,Classes/Events,Ecosocialism,Globalization,historical materialism,Housing,Immigration,Literary Studies,Marx's Capital,Modernity,Political Economy,Race and Class,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/04/Modernity3b_Bing.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210528T173000
DTEND;TZID=America/Halifax:20210528T193000
DTSTAMP:20260416T231620
CREATED:20210402T005720Z
LAST-MODIFIED:20210614T173123Z
UID:10006931-1622223000-1622230200@marxedproject.org
SUMMARY:New York City and the Experience of Modernity
DESCRIPTION:with Thomas Wensing\n2 MORE SESSIONS\nMr. Perry flicked at the burdock leaves with his cane. The real-estate agent was pleading in a singsong voice:\n“I dont mind telling you\, Mr. Perry\, it’s an opportunity not to be missed. […] In six months I can virtually guarantee that these lots will have doubled in value.”\n— Dos Passos\, John; Manhattan Transfer\, Penguin Books\, Inc New York\, 1925\, first penguin books edition 1946\, p.11-12 \n \nThis is a seminar about New York City and its people. It is not a study of architectural styles and objects\, – although the physical stuff of cities does play a role -\, but it is a course about the experience of the way in which modernity builds and destroys cities. \nModernity is a historical force. It is messy. In architecture history modernity is usually narrated as an interplay between the combined forces of the Industrial Revolution and capital\, with social upheaval\, explosive population growth and immigration as its result. The invention of new materials and new technologies stimulated new forms\, structures\, typologies\, and — in the most optimistic accounts — new forms of living. In this formal reading the historian looks at the artefacts produced by these forces as cultural evidence: railway stations\, factories\, powerplants and switching stations\, dams\, canals and railway lines\, skyscrapers\, tenements\, and department stores\, are all comparatively assessed\, but rarely is the subjective experience of these spaces and landscapes considered. \nThe United States traditionally has had a fraught relationship with its cities in both a positive and a negative sense. Urban areas were\, and are\, pictured as alleged dens of vice\, disease\, and social corruption\, while others project utopian aspirations onto the city which are hard to fulfil in the best of circumstances. Even social science\, which intends to accurately describe the effects of economic change on the social fabric\, lacks by nature the discursive framework to communicate the emotive impact of these processes on individual subjects.\n—Walter Siebel; Die Kultur der Stadt\, Suhrkamp Verlag Berlin\, 2015\, 2nd print\, 2016\, p.39-40 Walter Siebel sees literary studies as a necessary complement to the social sciences\, to offer necessary detail to the abstraction of numbers. \nIn this semester the course participants will be presented with multiple views of the same topic; one drawn from the professional literature\, and one from fiction or biography. Two datasets are compared: that of sociologists\, urban planners\, geographers\, and architects\, with that of the subjective vantage point of the biographical account or the fictional character. Writers and novelists have been able to direct the gaze at groups which have been excluded from the path of progress\, – as it was defined and constricted by society – to express diverging meanings to life in the metropolis. Theirs were often minority views\, but in expressing them\, they were able to carve out space for the ‘other’\, and they have expanded the conversation and imagination in indelible ways. A question which looms large in this seminar is the relationship between individual agency and collective action. The seminar encourages the expression of personal\, familial\, local\, and ethnic explorations and to tie these to larger societal trends.\n—Marshall Berman\, All That Is Solid Melts into Air – The Experience of Modernity\, Simon & Shuster\, New York\, 1982\, Verso\, London\, Brooklyn\, 2010\, p.346-347. \nEach week will consist of a visual presentation\, a related lecture with group discussion. \nThomas Wensing is a Dutch architect who teaches architecture and architectural history at Kean University in NJ. He writes regularly on the intersection of architecture and politics. \n5:30 to 7:30 pm US DST • 10:30 pm to 12:30 am (GMT)
URL:https://marxedproject.org/event/new-york-city-and-the-experience-of-modernity-8-week-session/2021-05-28/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Class and Gender,Classes/Events,Ecosocialism,Globalization,historical materialism,Housing,Immigration,Literary Studies,Marx's Capital,Modernity,Political Economy,Race and Class,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/04/Modernity3b_Bing.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210521T173000
DTEND;TZID=America/Halifax:20210521T193000
DTSTAMP:20260416T231620
CREATED:20210402T005720Z
LAST-MODIFIED:20210614T173123Z
UID:10006930-1621618200-1621625400@marxedproject.org
SUMMARY:New York City and the Experience of Modernity
DESCRIPTION:with Thomas Wensing\n2 MORE SESSIONS\nMr. Perry flicked at the burdock leaves with his cane. The real-estate agent was pleading in a singsong voice:\n“I dont mind telling you\, Mr. Perry\, it’s an opportunity not to be missed. […] In six months I can virtually guarantee that these lots will have doubled in value.”\n— Dos Passos\, John; Manhattan Transfer\, Penguin Books\, Inc New York\, 1925\, first penguin books edition 1946\, p.11-12 \n \nThis is a seminar about New York City and its people. It is not a study of architectural styles and objects\, – although the physical stuff of cities does play a role -\, but it is a course about the experience of the way in which modernity builds and destroys cities. \nModernity is a historical force. It is messy. In architecture history modernity is usually narrated as an interplay between the combined forces of the Industrial Revolution and capital\, with social upheaval\, explosive population growth and immigration as its result. The invention of new materials and new technologies stimulated new forms\, structures\, typologies\, and — in the most optimistic accounts — new forms of living. In this formal reading the historian looks at the artefacts produced by these forces as cultural evidence: railway stations\, factories\, powerplants and switching stations\, dams\, canals and railway lines\, skyscrapers\, tenements\, and department stores\, are all comparatively assessed\, but rarely is the subjective experience of these spaces and landscapes considered. \nThe United States traditionally has had a fraught relationship with its cities in both a positive and a negative sense. Urban areas were\, and are\, pictured as alleged dens of vice\, disease\, and social corruption\, while others project utopian aspirations onto the city which are hard to fulfil in the best of circumstances. Even social science\, which intends to accurately describe the effects of economic change on the social fabric\, lacks by nature the discursive framework to communicate the emotive impact of these processes on individual subjects.\n—Walter Siebel; Die Kultur der Stadt\, Suhrkamp Verlag Berlin\, 2015\, 2nd print\, 2016\, p.39-40 Walter Siebel sees literary studies as a necessary complement to the social sciences\, to offer necessary detail to the abstraction of numbers. \nIn this semester the course participants will be presented with multiple views of the same topic; one drawn from the professional literature\, and one from fiction or biography. Two datasets are compared: that of sociologists\, urban planners\, geographers\, and architects\, with that of the subjective vantage point of the biographical account or the fictional character. Writers and novelists have been able to direct the gaze at groups which have been excluded from the path of progress\, – as it was defined and constricted by society – to express diverging meanings to life in the metropolis. Theirs were often minority views\, but in expressing them\, they were able to carve out space for the ‘other’\, and they have expanded the conversation and imagination in indelible ways. A question which looms large in this seminar is the relationship between individual agency and collective action. The seminar encourages the expression of personal\, familial\, local\, and ethnic explorations and to tie these to larger societal trends.\n—Marshall Berman\, All That Is Solid Melts into Air – The Experience of Modernity\, Simon & Shuster\, New York\, 1982\, Verso\, London\, Brooklyn\, 2010\, p.346-347. \nEach week will consist of a visual presentation\, a related lecture with group discussion. \nThomas Wensing is a Dutch architect who teaches architecture and architectural history at Kean University in NJ. He writes regularly on the intersection of architecture and politics. \n5:30 to 7:30 pm US DST • 10:30 pm to 12:30 am (GMT)
URL:https://marxedproject.org/event/new-york-city-and-the-experience-of-modernity-8-week-session/2021-05-21/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Class and Gender,Classes/Events,Ecosocialism,Globalization,historical materialism,Housing,Immigration,Literary Studies,Marx's Capital,Modernity,Political Economy,Race and Class,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/04/Modernity3b_Bing.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210514T173000
DTEND;TZID=America/Halifax:20210514T193000
DTSTAMP:20260416T231620
CREATED:20210402T005720Z
LAST-MODIFIED:20210614T173123Z
UID:10006929-1621013400-1621020600@marxedproject.org
SUMMARY:New York City and the Experience of Modernity
DESCRIPTION:with Thomas Wensing\n2 MORE SESSIONS\nMr. Perry flicked at the burdock leaves with his cane. The real-estate agent was pleading in a singsong voice:\n“I dont mind telling you\, Mr. Perry\, it’s an opportunity not to be missed. […] In six months I can virtually guarantee that these lots will have doubled in value.”\n— Dos Passos\, John; Manhattan Transfer\, Penguin Books\, Inc New York\, 1925\, first penguin books edition 1946\, p.11-12 \n \nThis is a seminar about New York City and its people. It is not a study of architectural styles and objects\, – although the physical stuff of cities does play a role -\, but it is a course about the experience of the way in which modernity builds and destroys cities. \nModernity is a historical force. It is messy. In architecture history modernity is usually narrated as an interplay between the combined forces of the Industrial Revolution and capital\, with social upheaval\, explosive population growth and immigration as its result. The invention of new materials and new technologies stimulated new forms\, structures\, typologies\, and — in the most optimistic accounts — new forms of living. In this formal reading the historian looks at the artefacts produced by these forces as cultural evidence: railway stations\, factories\, powerplants and switching stations\, dams\, canals and railway lines\, skyscrapers\, tenements\, and department stores\, are all comparatively assessed\, but rarely is the subjective experience of these spaces and landscapes considered. \nThe United States traditionally has had a fraught relationship with its cities in both a positive and a negative sense. Urban areas were\, and are\, pictured as alleged dens of vice\, disease\, and social corruption\, while others project utopian aspirations onto the city which are hard to fulfil in the best of circumstances. Even social science\, which intends to accurately describe the effects of economic change on the social fabric\, lacks by nature the discursive framework to communicate the emotive impact of these processes on individual subjects.\n—Walter Siebel; Die Kultur der Stadt\, Suhrkamp Verlag Berlin\, 2015\, 2nd print\, 2016\, p.39-40 Walter Siebel sees literary studies as a necessary complement to the social sciences\, to offer necessary detail to the abstraction of numbers. \nIn this semester the course participants will be presented with multiple views of the same topic; one drawn from the professional literature\, and one from fiction or biography. Two datasets are compared: that of sociologists\, urban planners\, geographers\, and architects\, with that of the subjective vantage point of the biographical account or the fictional character. Writers and novelists have been able to direct the gaze at groups which have been excluded from the path of progress\, – as it was defined and constricted by society – to express diverging meanings to life in the metropolis. Theirs were often minority views\, but in expressing them\, they were able to carve out space for the ‘other’\, and they have expanded the conversation and imagination in indelible ways. A question which looms large in this seminar is the relationship between individual agency and collective action. The seminar encourages the expression of personal\, familial\, local\, and ethnic explorations and to tie these to larger societal trends.\n—Marshall Berman\, All That Is Solid Melts into Air – The Experience of Modernity\, Simon & Shuster\, New York\, 1982\, Verso\, London\, Brooklyn\, 2010\, p.346-347. \nEach week will consist of a visual presentation\, a related lecture with group discussion. \nThomas Wensing is a Dutch architect who teaches architecture and architectural history at Kean University in NJ. He writes regularly on the intersection of architecture and politics. \n5:30 to 7:30 pm US DST • 10:30 pm to 12:30 am (GMT)
URL:https://marxedproject.org/event/new-york-city-and-the-experience-of-modernity-8-week-session/2021-05-14/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Class and Gender,Classes/Events,Ecosocialism,Globalization,historical materialism,Housing,Immigration,Literary Studies,Marx's Capital,Modernity,Political Economy,Race and Class,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/04/Modernity3b_Bing.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210507T173000
DTEND;TZID=America/Halifax:20210507T193000
DTSTAMP:20260416T231620
CREATED:20210402T005720Z
LAST-MODIFIED:20210614T173123Z
UID:10006928-1620408600-1620415800@marxedproject.org
SUMMARY:New York City and the Experience of Modernity
DESCRIPTION:with Thomas Wensing\n2 MORE SESSIONS\nMr. Perry flicked at the burdock leaves with his cane. The real-estate agent was pleading in a singsong voice:\n“I dont mind telling you\, Mr. Perry\, it’s an opportunity not to be missed. […] In six months I can virtually guarantee that these lots will have doubled in value.”\n— Dos Passos\, John; Manhattan Transfer\, Penguin Books\, Inc New York\, 1925\, first penguin books edition 1946\, p.11-12 \n \nThis is a seminar about New York City and its people. It is not a study of architectural styles and objects\, – although the physical stuff of cities does play a role -\, but it is a course about the experience of the way in which modernity builds and destroys cities. \nModernity is a historical force. It is messy. In architecture history modernity is usually narrated as an interplay between the combined forces of the Industrial Revolution and capital\, with social upheaval\, explosive population growth and immigration as its result. The invention of new materials and new technologies stimulated new forms\, structures\, typologies\, and — in the most optimistic accounts — new forms of living. In this formal reading the historian looks at the artefacts produced by these forces as cultural evidence: railway stations\, factories\, powerplants and switching stations\, dams\, canals and railway lines\, skyscrapers\, tenements\, and department stores\, are all comparatively assessed\, but rarely is the subjective experience of these spaces and landscapes considered. \nThe United States traditionally has had a fraught relationship with its cities in both a positive and a negative sense. Urban areas were\, and are\, pictured as alleged dens of vice\, disease\, and social corruption\, while others project utopian aspirations onto the city which are hard to fulfil in the best of circumstances. Even social science\, which intends to accurately describe the effects of economic change on the social fabric\, lacks by nature the discursive framework to communicate the emotive impact of these processes on individual subjects.\n—Walter Siebel; Die Kultur der Stadt\, Suhrkamp Verlag Berlin\, 2015\, 2nd print\, 2016\, p.39-40 Walter Siebel sees literary studies as a necessary complement to the social sciences\, to offer necessary detail to the abstraction of numbers. \nIn this semester the course participants will be presented with multiple views of the same topic; one drawn from the professional literature\, and one from fiction or biography. Two datasets are compared: that of sociologists\, urban planners\, geographers\, and architects\, with that of the subjective vantage point of the biographical account or the fictional character. Writers and novelists have been able to direct the gaze at groups which have been excluded from the path of progress\, – as it was defined and constricted by society – to express diverging meanings to life in the metropolis. Theirs were often minority views\, but in expressing them\, they were able to carve out space for the ‘other’\, and they have expanded the conversation and imagination in indelible ways. A question which looms large in this seminar is the relationship between individual agency and collective action. The seminar encourages the expression of personal\, familial\, local\, and ethnic explorations and to tie these to larger societal trends.\n—Marshall Berman\, All That Is Solid Melts into Air – The Experience of Modernity\, Simon & Shuster\, New York\, 1982\, Verso\, London\, Brooklyn\, 2010\, p.346-347. \nEach week will consist of a visual presentation\, a related lecture with group discussion. \nThomas Wensing is a Dutch architect who teaches architecture and architectural history at Kean University in NJ. He writes regularly on the intersection of architecture and politics. \n5:30 to 7:30 pm US DST • 10:30 pm to 12:30 am (GMT)
URL:https://marxedproject.org/event/new-york-city-and-the-experience-of-modernity-8-week-session/2021-05-07/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Class and Gender,Classes/Events,Ecosocialism,Globalization,historical materialism,Housing,Immigration,Literary Studies,Marx's Capital,Modernity,Political Economy,Race and Class,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/04/Modernity3b_Bing.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210420T180000
DTEND;TZID=America/Halifax:20210420T200000
DTSTAMP:20260416T231620
CREATED:20210410T031811Z
LAST-MODIFIED:20210411T223835Z
UID:10006935-1618941600-1618948800@marxedproject.org
SUMMARY:Start Early\, Stay Late: Planning for Care in Old Age
DESCRIPTION:Socialist Register 2021 authors Pat and Hugh Armstrong\nCovid-19 has exposed too many weaknesses in the neoliberal capitalist system to count\, especially when it comes to the most vulnerable. For 10 years our international\, interdisciplinary research team has been documenting the profound weaknesses in nursing home care within Canada\, Germany\, Norway\, Sweden\, the UK\, and the US. Many of the current deficits in resident care originate in various forms of privatization central to neoliberalism. Especially in Canada\, the UK\, and the US\, nursing homes that are heavily funded by the public purse have been handed over to corporations\, providing them with guaranteed pay and often guaranteed full houses. \nThe lines between for-profit and not have become increasingly blurred by various neoliberal strategies. One of these involves non-profit and state-owned homes contracting out services to for-profit firms as – in denial of the literature on the determinants of health – services such as food\, housekeeping\, and laundry have been defined out of care and dismissed as ancillary. This contracting out has not only undermined teamwork\, but has also resulted in poor food\, inadequate cleaning\, and limited laundry – all of which threaten health. At the same time\, fewer and fewer spaces are available in these homes with government funding. The result is twofold. All those who manage to get into these homes have high care needs\, and those who cannot are either forced into the for-profit sector or rely more on unpaid care\, most of which is provided by women. For too many\, neither of these is an option. Another strategy blurring the lines is the promotion of for-profit managerial strategies within the non-profit and public nursing homes that remain. This means the lowest possible staffing levels\, the shifting of as much work as possible to those with the least formal training\, limiting workers’ autonomy\, pay\, hours\, and benefits\, and relying on a labor force already made vulnerable by gender\, racialization\, and immigration status. \nBarely enough services pre-pandemic have proven to be not nearly enough during the pandemic – which has exposed the disastrous life-altering or lethal consequences of all these developments for those elderly requiring care. \nPat Armstrong is Distinguished Research Professor of Sociology at York University. Hugh Armstrong is Emeritus Professor of Social Work at Carleton University. \n  \nAll events are sliding scale. No one is denied admission for inability to pay. Email info@marxedproject.org for admission to this event or any other events or classes of The MEP.
URL:https://marxedproject.org/event/start-early-stay-late-planning-for-care-in-old-age/
LOCATION:Online Event – Zoom Meeting
CATEGORIES:Capital Studies,Class,Classes/Events,Emancipation,Globalization,Healthcare,Housing,Multi-session Classes,Science and Technology,Seminars and Talks
ATTACH;FMTTYPE=image/jpeg:https://marxedproject.org/wp-content/uploads/2021/04/StartEarlyStayLate.jpg
END:VEVENT
END:VCALENDAR